Thanks for such an imposing amount of information packed into so few words.

On Mar 19, 2015, at 3:20 AM, Hector Sequera <hectorl...@mac.com> wrote:

> A few points about intabulations of sacred music in England.
> 
> 1) Availability of English music was an issue since England started printing 
> music in the late 1560s (there are very few exceptions to this). And even 
> this was rather minimal (e.g. Thomas Whythourne’s Songs in three, fower and 
> five parts did not come but until 1571, Byrd’s first print came in 1575). 
> Meantime the Continent was going full swing with printers such as Attaignant, 
> Gardano, Scotto, etc churning books non stop (with errors, misattributions 
> and all). Furthermore, the fashion for printing vihuela music in Spain was 
> over by 1576; somebody may be able to share what happened after that.
> 
> 2) The majority of the music intabulated is for 3 or 4 voices in a narrow 
> range (no more than two octaves plus a sixth). Conversely, William Byrd liked 
> what he called the Great Compass, an arrangement of clefs with G2 on top and 
> F4 at the bottom (unusual for the time), which allowed for a range of three 
> octaves and a bit. The narrower Continental range, also called ’normal clefs’ 
> or ‘low clefs’ etc, can be intabulated on a 6-course up to the 8th or 9th 
> fret (6th or 7th fret on a 7-course)… a very convenient part of the 
> instrument.  
> 
> 3) Another important consideration is that many continental composers used 
> the lute as their compositional tool (we have clear documentation on 
> Palestrina and Lasso, for instance). I happen to believe that Tallis did use 
> the lute but have not had the time to delve with this in any detail. 
> Conversely, it is very obvious that Byrd composed on the keyboard. 
> 
> 4) Despite all of this, we have about 500 surviving intabulations of music by 
> English and Continental composers in the collection of Edward Paston 
> (1550-1630); from Fayrfax and Josquin all the way to Victoria and Byrd. They 
> all lack the top part but are a good example of the Spanish tradition 
> transplanted to England for domestic use.
> 
> Best wishes,
> 
> Hector




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