Thank you for you excellent and very useful work Peter!
All the best,
Jean-Marie Poirier
Le 1 févr. 2018 à 21:14, Petrus Paulus Maria Steur
<[1]p.st...@inrim.it> a écrit :
Dear all,
some of you might have a look at my enlarged website [2]mss.slweiss.de
where the Cherbury is already present with a lot of concordances
(hopefully all correct).
Peter Steur
Mail priva di virus. [3]www.avg.com
2018-02-01 21:00 GMT+01:00 Jean-Marie Poirier
<[4]jmpoiri...@wanadoo.fr>:
Dear Göran,
There is already quite a bit of work done by John H. Robinson
regarding a number of pieces by Gaultier. It was the subject of
a publication for the Lute Society back in 1997, a music supplement
entitled Music in Vieil Ton by Gauthier. Not everything is there
but it's a good starting point !
To complete a recording I have done recently, I will publish a
collection of the pieces in old tuning in the near future (for
Corentto Verlag in Stuttgart)
and, of course, I will try to give a few more concordances whenever
possible. It takes time, as you know too well !
In the meanwhile, here is a little video of a Preludium, anonymous
but in a source where the Gaultier's pieces abound (Swan ms.) and
a "Courrente Gautier" which appears in several European manuscripts
of the 1620s or 30s...
[5]https://youtu.be/-TNndX7KcUs
All the best,
Jean-Marie
--------------
> Dear Jean Marie,
> I beg to differ about the quality of these little sketches, but
look
> forward to an informed edition with the "motorized" versions. In
the
> meantime it would be helpful with a concordance list for these
short
> Gaultier pieces in the old tuning.
> Best wishes
> G.
> On Thu, Feb 1, 2018 at 2:03 PM, Jean-Marie Poirier
> <[1][6]jmpoiri...@wanadoo.fr> wrote:
>
> Dear GÃÆà �ran,
> I do certainly lean towards Ennemond, and most probably not
Jacques,
> as Cherbury did not support the latter after he sought refuge
in
> England to escape the King's justice and a certain death for
the
> murder of a noble man in France ! Sorry Thurston ;-) !
> In my recent article in the Lute 2014, (English Lute Society)
which
> can also be downloaded from Academia
> ([2][7]https://tinyurl.com/ydze2e2g)
> there is a note (19) about this question, and I am grateful
to
> Chris Goodwin for bringning this to my attention :
> "FranÃÆà �ois-Pierre Goy pointed out in a lecture to the Lute
Society
> that Herbert was indeed
> involved as ambassador in France in negotiations about Jacques
> Gaultier's extradition, but
> we have no proof that he personally knew him and, as he writes
in a
> letter that the lutenist
> fled to England à �for haveing killed a brave French Gentleman
and of
> a noble house in a most
> base fashion', he may not even have wished to be acquainted
with a
> man for whom he must
> have felt a deep contempt (Lute News, forthcoming). This may
be a
> good reason to suppose
> that Lord Herbert would not have made an effort to collect
Jacques
> Gaultier's music."
> If some of the pieces by "Gauthier" in the Cherbury Book can
be
> regraded as "pedestrian", an opinion which I do not share ;-),
don't
> forget that most of them can be found in other maunscripts in
Europe
> and often with divisions in the repeats which indeed help to
> "motorize" them !
> All the best,
> Jean-Marie
> --------------
> > When looking at the Gaultier pieces in Cherbury, I recall
a
> recent
> > discussion on the possibility of these being by Ennemond
in
> vieil ton.
> > All these pieces are very short and I must say rather
> pedestrian, and
> > not indicative of the great fame of Ennemond. Thurston
Dart in
> his 1957
> > article leans quite firmly toward Jacques d'Angleterre
being
> the
> > Gaultier in question. Would those having delved more
deeply
> into these
> > pieces and their "style" agree?
> > G.
>
> >
> > --
> >
> >
> >To get on or off this list see list information at
> >[3][8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
> --
>
>References
>
> 1. mailto:[9]jmpoiri...@wanadoo.fr
> 2. [10]https://tinyurl.com/ydze2e2g
> 3. [11]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
--
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