Do I get stoned by the community if I say that I like Ballard more anyway? :)

Am 02.02.2018 um 00:36 schrieb Jean-Marie Poirier:
En guise de conclusion ;-) :
If you look at the chronological development of Ennemond’s career and life, his 
“his high reputation” as a baroque lute super hero simply doesn’t hold.
So there must be other material around to explain this phenomenon.
Cherbury is only one piece in the puzzle and certainly not the most interesting 
one concerning old Ennemond! There is a lot more to see and play in at least a 
dozen other ms. and of course his production in accords nouveaux is another 
essential aspect of the problem.

Merci de votre intérêt et la “chasse” continue... :-)!
Best,
Jean-Marie


Le 1 févr. 2018 à 22:53, G. C. <kalei...@gmail.com> a écrit :

   PS.
   And of course, I meant to say "you and Jean-Marie" SORRY! :D
   On Thu, Feb 1, 2018 at 10:27 PM, G. C. <[1]kalei...@gmail.com> wrote:

        Great that you feel that way, Ron. I'm just saying, that
     comparing to
        what there is of real quality music for the lute out there, and
     trying
        to keep in mind, the "high reputation" of Ennemond Gaultier, I'm
     sadly,
        not at all impressed by these alleged simple courantes and voltas
     in
        Cherbury.    Whatever his fame might otherwise be, these little
     pieces
        just don't cut the mustard IMHO.
        But if you, as a renowned player, recognise Ennemond's style in
     those
        little ditties, I'm definitely not going to argue. :)
        Best
        G
        On Thu, Feb 1, 2018 at 10:09 PM, Ron Andrico
     <[1][2]praelu...@hotmail.com>
        wrote:
             G, I think you may have misunderstood my message.    I was
     not
          saying
             there were concordances in the CNRS edition of Vieux
     Gaultier
          that
             definitely linked pieces in Herbert to the proper Gaultier.
        I
          said
             that one could easily identify the style of music in that
     edition
          and
             compare to the sparse style of the Herbert pieces attributed
     to
             Gaultier.    From a player's point of view, I feel a very
     strong
             similarity, and one only has to supply ornamented repeats in
     the
          proper
             style to flesh out the bones of these pieces and make some
     very
          fine
             music.
             RA
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References

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