I think it is generally accepted that fret positions that would call
   for glued frets on the belly are conceptual.  Meaning, if there was a
   fret there, it would be an o.

   Molinaro's music is rich in rapid passage work but the real difficulty
   lies in managing the counterpoint.  He was an organist and some of his
   lute tablature transcribed into keyboard notation could sound very well
   on an organ.  I think he just worked out his lute arrangements to the
   fullest and expected that the player would aim for that ideal or modify
   as necessary.

   RA
     __________________________________________________________________

   From: lute-...@new-old-mail.cs.dartmouth.edu
   <lute-...@new-old-mail.cs.dartmouth.edu> on behalf of Sean Smith
   <lutesm...@gmail.com>
   Sent: Sunday, March 15, 2020 5:32 PM
   To: lute <lute@cs.dartmouth.edu>
   Subject: [LUTE] Re: Molinaro 12

      Are we assuming belly frets up there?
      s
      On Sun, Mar 15, 2020 at 10:27 AM Christopher Stetson
      <[1]christophertstet...@gmail.com> wrote:
           ...or had large hands. Actually, though, I don't find them more
           technically difficult than many of the chanson intabulations of
        earlier
           publications.
           On Sun, Mar 15, 2020, 1:12 PM Tristan von Neumann
           <[1][2]tristanvonneum...@gmx.de> wrote:
             But seriously, how do you play
             (pardon my French)
             o
             k
             i
             ??
             Molinaro must have played a small lute...
             On 15.03.20 17:59, Sean Smith wrote:
             >       I foolishly mentioned that to him once. In his
   defense
        he
             pointed out
             >       it was his first recording nearly 30 years ago. I'm
        still
             pretty
             >       impressed with it.
             >       And then there's his Terzi cd that is top notch.
             >       Sean
             >
             >       On Sun, Mar 15, 2020, 11:22 AM Jurgen Frenz
             >       <[1][2][3]eye-and-ear-cont...@protonmail.com> wrote:
             >
             >         what about asking him?
             >         Some fool (for our free of charge pleasure)
   uploaded
        a CD
             of
             >         Molinaro pieces played by Paul Beier (do you happen
        to know
             him?).
             >         Mea culpa I downloaded it - but I believe I can
   hear
        how he
             was
             >         struggling with the playing technique.
             >         Best
             >         JÃÃÃ ¼rgen
             >         à ¢Ã ¢Ã ¢Ã ¢Ã ¢Ã ¢Ã ¢ Original Message à 
¢Ã ¢Ã ¢Ã
   ¢Ã
        ¢Ã ¢Ã
              ¢
             >         On Sunday, March 15, 2020 3:38 PM, Tristan von
        Neumann
             >         <[2][3][4]tristanvonneum...@gmx.de> wrote:
             >         > But No. 12 is certainly one of the most difficult
        pieces
             of the
             >         entire
             >         > literature.
             >         > I guess even Paul O'Dette struggled a lot with
   it.
             >         To get on or off this list see list information at
             >

   [3][4][5]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
             >
             >       --
             >
             > References
             >
             >       1. mailto:[5][6]eye-and-ear-cont...@protonmail.com
             >       2. mailto:[6][7]tristanvonneum...@gmx.de
             >       3.
        [7][8]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
             >
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     13. [13]mailto:eye-and-ear-cont...@protonmail.com
     14. [14]mailto:tristanvonneum...@gmx.de
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