I too am on the side supporting There Will Be Blood.

 

The top 4 films for me this year, in this order were:

 

There Will Be Blood

Michael Clayton

No Country For Old Men

Before the Devil Knows Your Dead

 

I think "Before the Devil" was better than both Atonement and Juno, although
it was damn hard to watch because every character was so easy to dislike.  

 

DBT

 <http://www.linkedin.com/in/douglasbtaylor> Profile 

From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of Kirby
McDaniel
Sent: Tuesday, February 26, 2008 12:08 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars -SNOOZEABLE

 

Franc's comments about JONNY GREENWOOD'S score for THERE WILL BE BLOOD are
in line with my own.  Fantastic score from him.  Of course, there WAS some

Brahms in there.  However I thought THERE WILL BE BLOOD was a magnificent
movie, the best of PT Anderson's films.  As far as Best Actress I would have
chosen Ellen Page or the wonderful Julie Christie.  LA VIE EN ROSE, for me,
was jumbled, although her performance was the  best thing about it.

 

The big disappointment for me was that HAL HOLBROOK did not win Best
Supporting Actor.  He was the absolute light of INTO THE WILD and his role
was actually a supporting role,

which JAVIER BARDEM'S (in NO COUNTRY) was not.  I don't know what the rules
are that govern nominations in this category, but I've seen this before.
That role was too central

to the film - and too big - to be considered supporting.  This says nothing
about Bardem's performance, which I thought was great.

 

Kirby

 

On Feb 25, 2008, at 6:38 PM, Franc wrote:





I hated both films. I thought La Vie En Rose was one of the most inept
star-is-born films I'd ever seen. Here's an example of how inept that is:
just as Piaf is making her big breakthrough, she opens her mouth to sing and
the director actually cuts away from the vocal track and provides an
orchestra-only track with a montage. You don't have the pleasure of a)
hearing her sing or b) being finally transformed into a star. The flashbacks
at the end of the film refer to scenes that were apparently cut from the
film and have no reference. You just never understand from this film why
this dreadful, rather plain-looking woman ever became so popular, especially
given that everyone of her songs sound virtually alike.

 

There Will Be Blood was so under-written and stillborn; I never felt there
was any motivation for DDL's character. His performance left me with the
impression that he was over-acting so badly because frankly the character
didn't exist anywhere in the script and he was trying to fill in the
blanks.. I did like the scoring to the film and of course that was totally
overlooked by the Oscars.

 

In contrast to the above two films, I thought Atonement was beautifully
written and acted. I especially liked the way multiple point of views were
handled in the film. Needless to say, this film did not fair particularly
well last night either.  

 

Franc

 

 

 

-----Original Message-----
From: MoPo List [mailto:[EMAIL PROTECTED] On Behalf Of Bruce
Hershenson
Sent: Monday, February 25, 2008 7:19 PM
To: MoPo-L@LISTSERV.AMERICAN.EDU
Subject: Re: [MOPO] Oscars -SNOOZEABLE

 

Franc Martarella wrote, "I though Daniel Day Lewis and Marion Cotillard gave
two of the worst over-the-top, scenery-chewing, histrionic performances I
had seen all year in two very badly written films"

 

But OTHER THAN the terribly acting and writing, what did you think of those
movies?

 

Bruce

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