Diane,

You should consider legal action against John Davis -- or at least demand a public apology. Instead of standing up like a man and admitting that "Hey folks, I simply didn't realize S2art.com was using 100-year old French presses to exactly duplicate stone litho printing that looks just like the real deal under my microscope" he just ignores that negligent gaffe and tries to blame an "unknown restorer" for "great attention paid restoratively to make this poster appear authentic".

Wait... isn't that exactly what his COA was supposed to do: Peer beyond any air-brushing that might make the poster "appear authentic"? And he, and everyone else, knows who the restorer was because you came forward and identified yourself early on.

I was willing to cut him some slack until he pulled this cowardly stunt of trying to shift the blame onto everyone but himself for completely missing the true nature of this poster. Hey, the fact that both bottom corners of it were the only paper which had replaced should have been his first Big Clue that something was not kosher. What? It didn't ring any bells that a previously unknown example of an ultra-valuable 60-year old only-2-others-known-in-existence authentic Dracula poster suddenly turns up with no paper loss *other* than the two bottom corners which just happen to contain all the original authenticating hand-written info? Sure... happens all the time, nothing to be concerned about... some "expert" he turns out to be.

Besides, you publicly wrote to MOPO immediately when people started questioning the authenticity and revealed exactly what you knew, what the client had asked for, what you had done and why -- going public to help with the investigation. And I believe you also called and spoke with Davis personally at that same time and gave him the same details.

For him to now act like he didn't just drop the ball completely on this one is criminal cowardice. But for him to claim that you knowingly and deliberately created a fake poster from an S2 reproduction, that's libel.

That aside, there's no denying the truth that, going forward from this sad example, you and every other restorer in the business now simply must take a second, third and fourth look at what a client is asking you to do. And if the paper does not seem "right", you probably need to take a pass on the job. I know that hurts because you and the others are in the business of giving the clients what they want -- but if the paper just does not seem right (too thick, too slick, too "new", seems artifically "aged") then that's got to be a deal breaker for the restorer to proceed with the job.

Bottom line: you restorers are going to be the last people to see the paper alive before it is glued onto linen and becomes very hard to check, you are now the first line of defense when it comes to preventing people from backing a modern fake to disguise what kind of paper it is on. It is the "look and feel" of genuine 40 or 70-year old Virginians cheap-ass print-it, display-it and throw-it-away movie poster paper that is going to be the only thing which cannot be easily faked these days. Air-bushing new paper to look tan or brown should not fool any competent restorer.

I wish the best to everyone in the business who will now be facing this new challenge. It's sad, but the inevitable result of all the very high prices that started being paid for this material in the last 10 to 15 years. It has attracted the sharks to our waters.

-- JR

Diane Jeffrey wrote:
OK people, I am really confused here, to see John's updated status on the poster today. I called Brian at Profiles today, and he did not take my call, or did he return the call. So mid day, I called John. John told me that he had the poster and was going to un-mount it, in the presence of Ron Borts,(good friend), Ken Schacter, and Joe Madalena, in order to get to the bottom of the poster. He still, at this point, did not say it believed it was fake. He said it would take a week for this to happen, and he would let me know. I offered the info that I did not remember us being completely successful in removing the layer on the back, that we may have sanded it some, trying to give him as much info as possible , to help him get to the truth about the poster, since he was about to un-mount it.. I called him back, because I realized I forgot to ask him an important question, concerning the "Morgan Litho Co" writing at the bottom. I told him that we did not add that text, did he know where that came from?? He offered no info on that. I also indicated to him during one of my phone calls, that I had "before" and "after" pics of the poster. I am shocked to see his update, in view of my two phone conversations today, makes no sense. I was even more shocked when I read the following: "This once legitimate S2 reproduction one sheet was sanded thin by the "restorer" then lined with canvas and paper ("linen backed") with airbrush restoration throughout the border and title. The two bottom corners which would have had vital reproduction information printed as identification were removed and replaced in a restorative fashion and the fine print from an original Dracula poster was then added by hand" "This reproduction poster has been "linen backed" and restored by an unknown restorer with great attention paid restoratively to make this poster appear authentic" Is John Davis accusing Studio C of producing a fake poster? Help!! Any thoughts or insight will be greatly appreciated.
Diane
Studio C
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