The story may be "tiresome," but it is not, in my view, "dull."  The press 
statement I'm talking about was different from general press statements touting 
lots in many other departments.  It was a "one off" statement specific to "The 
Outlaw" - in RESPONSE to queries from reporters I contacted in London and San 
Francisco.  There was no motivation by Christie's to do this PROACTIVELY.  My 
actions were not entirely designed to throw Tony under the bus.  (BTW, I've 
long since buried my differences w/Tony on this and on other matters at CSK.  
We're not pals, but we're professional and avoid controversial matters.)  It 
was more about Christie's - as an esteemed organization - signing off - while 
simultaneously absolving itself, e.g., "Christie's did not coerce or endorse" - 
the consignor's alleged action of destroying a "second copy."  Anyone who tries 
to couch this as a run-of-the-mill-business-as-usual press statement or action 
- isn't stepping outside of their friendships and/or looking at this 
objectively, with impartiality.  The notion of a "conspiracy" is NOT the issue. 
 It is the actions of a consignor - and Christie's "reluctantly worded" 
response that had the effect of preserving the marketing claim of a poster's 
"one-of-a-kind" status.  This whole thing was insane.  There's no other word to 
describe it.  Please don't characterize this as "no big deal."  -d.

Date: Mon, 16 Apr 2012 15:52:13 -0400
From: jbur...@mpagallery.com
Subject: Re: SO RARE
To: MoPo-L@LISTSERV.AMERICAN.EDU










I, too, was at the dinner that Helmut mentioned, and 
clearly remember the consignors plainly stating they destroyed 
the additional copies.  The Christie's expert believed them who, 
full disclosure, is a good friend of mine.  I'm sure some people at 
Christie's believed them and others didn't.  This "conspiracy" is a pretty 
dull one. As far as press statements, they blanketed London with 
press for every one of their auctions, which is why wealthy novices showed up 
and purchased Annie Hall one sheets for 4,000 USD. 

 
Please visit our website:
www.mpagallery.com
90 Oak St.
E. 
Rutherford, NJ 07073
201-635-1444

Date: Mon, 16 Apr 2012 11:51:04 -0700

  From: davidmkusum...@hotmail.com

  Subject: Re: SO RARE

  To: MoPo-L@LISTSERV.AMERICAN.EDU







For Christie's to be "unaware" of 
other copies of "The Outlaw" is just one point of dispute.  Let's say 
you accept Christie's statement, which implies it "DID NOT KNOW about 
other copies" as truth.  Then how you reconcile the portion of its 
statement - on its own stationary - that says the consignors (Robert and
 Patricia League) - destroyed a second copy?  I've been in press 
relations a long time.  Either you believe the entire statement, or none
 of it, or dismiss everything as hype.  If you believe just part of it, 
it means you think some of it is truth and the rest is a lie.  Either 
way, this compromises Christie's reputation.  I agree with Adrian - I KNOW 
Christie's was aware of additional copies.  That's why the story was printed in 
the media.  The
 best way to understand this is for you, as a dealer, to put yourself in
 Christie's shoes, based on what you know.  Would you add in your 
official statement - a reference that an extra copy has been 
"destroyed?"  Putting out a press statement is very unusual in this 
case.  But as I wrote before - and as Helmut correctly points out - all 
of this could have been avoided if Christie's simply said this poster 
was the "first ever brought to auction" - instead of this poster "is the
 only copy in existence." - d. 

Date: Mon, 16 Apr 2012 06:54:52 -0400
From: jboh...@aol.com
Subject: Re: SO RARE
To: MoPo-L@LISTSERV.AMERICAN.EDU



 PLEASE LET ME STATE THAT I HAVE NO AGENDA TOWARD ANYONE.



My point is that Christies should have been fair with the Outlaw Six 
Sheet and that Christies have a few dark stories. We all know that.



As for the Six Sheet and it's subsequent stories...many American auction
 houses and dealers knew of the owners having several copies...this 
comes down to pure research. And all concerned except Christies UK knew 
that there were four copies...how could this be? Christies are supposed 
to research these things.



Any way Helmut and the rest you don't need this so let this be the end of this 
thread.






 










-----Original Message-----


From: Helmut Hamm <texasmu...@web.de>


To: MoPo-L <MoPo-L@LISTSERV.AMERICAN.EDU>


Sent: Mon, 16 Apr 2012 11:23


Subject: Re: [MOPO] SO RARE















Adrian,








with all due respect, but your persistance on this matter is quite 
obviously a thinly disguised way to express your personal aversion 
against a certain former Christies consultant. I can't speak for anybody
 else, but personally, I don't need this.










About the 'fraud': I was at the actual sale at Christie's South 
Kensington, and I met the consignors at the time of the sale. They might
 have been lying through their teeth, but at the time of the sale, they 
were VERY convincing in their statement that additional copies had 
indeed been destroyed, and that the one for sale was the only one in 
existence. What do you expect an auction house to do, put them to a lie 
detector test?  Also, if I could speak to them and get my own 
impression, so could anybody else. It's not that either the consignor or
 the consultant had been hiding in the shadows.










For all I know, any allegation that Christie's, their consultant, 
or anybody else aside from the consignors, had any actual KNOWLEDGE of 
additional copies is simply not true. They could have, and maybe should 
have, SUSPECTED additional copies, but there was no way they could have 
actually KNOWN about them. 










This poster got a lot of media attention at the time of the sale, 
and if Christie's had labeled this as 'first time at auction' instead of
 'only known copy' I seriously doubt that it would have hurt the 
price. Only copy or not, when you see this in person, it is an amazing 
piece and this was the FIRST TIME this poster showed up for sale. With 
items like this, it's usually the first one that brings in the big 
money, and Christie's UK was the perfect venue for the sale. 










I've no clue who bought the first copy at Christie's, but they 
always managed to draw a very unique crowd, including many 
non-collectors, so chances are that the current owner is stil happy with
 his purchase and probably couldn't care less about this discussion.










Helmut








The
 point is that an auction house as you implied...should be fair. The 
consultant knew that there were four copis and yet he went ahead and 
described the first Outlaw six sheet as the only one...then three others
 arrive selling for (the last one) a third of the first ones price.





What the first one selling amounted to was fraud...
                                          
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