My mind is far from made up on this issue (I was the guy who as a Twin
Cities Reader reporter publicized some less-than-savory connections in the
theaters' original purchase-management deal). However, since the bulk of
list posts have criticized the Council action, I'll play devil's advocate in
the interest of debate.

Greg Luce writes:

> Chalk this one up again to a nose-down failure to think more regionally
for
> the benefit of us all.  CM Schiff's comment that it would be a "travesty"
if
> the Ordway was given a 'monopoly' over regional theater is absurd.  We're
> talking three theaters in Minneapolis (already controlled by one entity)
and
> one theater in St. Paul.  Hardly a monopoly.

No, it is. If you wanted to present a big theater show, where else would you
play? You'd have to deal with the Ordway.

True, Clear Channel's deal is an attempt to further its NATIONAL monopoly -
but at least under the current setup, if they try to control local choice,
non-CC acts can always scoot to the Ordway.

> HTT/HTG will certainly be
> able to maintain expensive Broadway hits and other plays and events in the
> theater district, but that's something the Ordway's proposed Twin Cities
> Theater Alliance could do just as well, if not better, plus be responsive
to
> calls to make the theater experience more accessible and available to all.

I'm not sure I see the proof of either statement. The current HTG/HTT group
puts on plenty of funky, non-Clear Channel shows. There's no more or less
incentive to do that in the future.

> Importantly, when you look at a side-by-side comparison of HTT/HTG and the
> Ordway, HTT pales in comparison in any commitment toward involving youth,
> low-income folks, and others in theater and educational programming.

This is a significant point that Greg makes well.

However, a side-by-side comparison of the FINANCES goes the other way.

As a Minneapolis citizen, right now my #1 priority is getting the city out
from under any unnecessary financial obligations. I would much rather sell
the theaters to ANYONE than risk having to pay off the $22.25 million in
current bond debt (plus another million-plus in looming capital expenses).

For all its demerits as an artistic entity, Clear Channel has the muscle to
pay off tens of million of dollars in city theater debt (it would guarantee
to do so according to the HTG proposal). While the Ordway offers the city a
$4 million-$7 million cash payment up front, I have far less confidence in a
local nonprofit's ability to pay off the bulk of the theater bonds.

I don't want to discount the artistic and community factors, but they are
secondary. The baseline public purpose for buying the theaters was NOT
artistic - it was to preserve landmarks and lure people downtown. In other
words, they were economic development engines. 

If a deep-pocketed corporation would have bought and revived the theaters in
1989, we would've been thrilled. If we can find one today to take the debt
and capital expenses off our hands, we should say yes (with the appropriate
financial safeguards). 

In these risky, cash-strapped times, there are more important things to do
with the city's borrowing capacity to manage that risk.

David Brauer
Kingfield

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