No. They've clearly mixed together several tracks, or depending on your point of view, cut up several and edited them together. Either way, that's a different recording. But as Davitof said there will always be cases where a strict real world definition doesn't fit, and the community can decide that in the spirit of the definition a particular case should be treated in a certain way. On May 7, 2013 8:29 PM, "Abel Cheung" <abelche...@gmail.com> wrote:
> On 6 May 2013 11:26, symphonick <symphon...@gmail.com> wrote: >> >>> The problem is, we can never source anything of that. It's unlikely that >>> you could find proof for even the exception I mentioned. >>> In most cases, there will be a mastering engineer credit, and that's it. >>> There's no point in trying to construct a system where we could input data >>> that isn't available. >>> >> > I have a similar question about definition of recording that might be > remotely related to master process, and can't possibly be obtained except > in few cases. Consider this hypothetical situation: > > In a recording session, there are several takes of recording of same work: > > 1st take: rejected > 2nd take: rejected, but after composer / performer's death, some recording > label A obtained license of master disc and decided to release it anyway > 3rd take: accepted, released by recording label B > 4th take: accepted, released by recording label C > Afterwards, bootleg recording label D obtained discs released by B and C, > so attempted to mainly remaster B's recordings but patched a little bit > with C's recording due to disc imperfection > > So, are all the recordings from the same session considered as different > or the same after change of definition of recording? > > Abel > > > _______________________________________________ > MusicBrainz-style mailing list > MusicBrainz-style@lists.musicbrainz.org > http://lists.musicbrainz.org/mailman/listinfo/musicbrainz-style >
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