Great information Steve...

I have a series on that I am modding when the needs arise.

Having said that, in your opinion I should upgrade to a 1e for tracking except 
in vocals and overheads?

Maybe I should split the console 12-1 and 12-1e with the 1 sub and master 
section.

Do feel it would be beneficial to keep the 1 or should I just get a really good 
1e and maybe rack a pair of 1s?


Sent from my iPhone

On Jun 19, 2011, at 7:47 PM, Steve Antoniazzi <[email protected]> wrote:

> 
> I know I said I would post details about some of the modifications I had done 
> to my console. Sorry the weekend took over and I had no time. Here's a quick 
> shot of the externals. The comps are a LA3-A, type. The difference from the 
> LA2-A was the lack of tube.  The top pot is ratio and the bottom is output 
> make up gain. The toggle is a true by-pass. They are extremely smooth. Just 
> butter on vocals and overheads on the way in. You can really smash with them 
> but I use them very lightly just to add that little goodness. The eq setting 
> you see here is my overheads on the way in for my current project. I shape on 
> the way in and cut on mixdown as needed. I only really use these series 1 
> channels for O.H. & vox everything else goes through the series 1e strips. 
> These sound good on everything but I have all my channels dedicated per 
> instrument with the eq in a good starting range. Great for workflow. I have 
> owned Api 512c, Avedis ma5, BAE 312&1272, trident,
> Avalon, and many other preamp & eq combo's and all are really good. My 
> favorite to this day is the series 1e preamp/eq. I specifically remember 
> tracking bands using other pre's and during mixdown thinking damn I really 
> wish I just used the neotek console. I ended up selling all my high end pre's 
> and invested the money in a complete overhaul of my console. I do not regret 
> it. 
> 
> 
> 
> 
> Sent from my iPhone
> 
> <image.png>
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