No, you can use the 1e for everything including vocals & O.H. The 1e stacks 
really well. It just ended up this way for me having 22 - series 1e strips & 2 
-series 1 strips. I ended up modifying the series 1 strips cause I always felt 
the series 1 module were a bit more brittle/harsh sounding compared to the 
series 1e module. So when I had the tech modify the series 1 strips it really 
made them more useable.  I record into a computer harsh preamps don't go well 
with software recording. When the neoteks were made in the early 80s they were 
tracking to tape. So maybe they were cleaning up the mixes really well dealing 
with tape machines and all. This might be why neotek held their own with 
consoles that cost alot more. The eq is great people call them very musical. 
What I get from that term is low phase, frequency bands not fighting each 
other. If you look at the strip itself there's not alot to it. The series 1e is 
a very honest module. What you put in is
 what you get out bent to your liking because you have the control of the eq. 
There's no output transformers. If I want a different sound i use a different 
mic. I use my console as a front end with light eq on the way in. I use logic 
pro basically as a tape machine to capture the sound. I do a little editing and 
use very little plug ins. Then when I have the whole band tracked I come out of 
the computer and mixdown through the neotek using the summing of my 2-mix/sub 
channels. I only own 1 outboard compressor and 1 outboard levelor. I use the 
levelor on sub1&2 for my drums all the time. "its awesome". The comp i use on 
my main vocals most of the time. My system is an Apogee Symphony System with 
the Apogee AD/DA16x converters. I monitor through Genelec 8050s. I don't feel 
the need to add anything else to my set up. Hope this helps. 

Sent from my iPhone

On Jun 19, 2011, at 10:37 PM, Jack Dean Stauss <[email protected]> wrote:

Great information Steve...

I have a series on that I am modding when the needs arise.

Having said that, in your opinion I should upgrade to a 1e for tracking except 
in vocals and overheads?

Maybe I should split the console 12-1 and 12-1e with the 1 sub and master 
section.

Do feel it would be beneficial to keep the 1 or should I just get a really good 
1e and maybe rack a pair of 1s?


Sent from my iPhone

On Jun 19, 2011, at 7:47 PM, Steve Antoniazzi <[email protected]> wrote:


I know I said I would post details about some of the modifications I had done 
to my console. Sorry the weekend took over and I had no time. Here's a quick 
shot of the externals. The comps are a LA3-A, type. The difference from the 
LA2-A was the lack of tube.  The top pot is ratio and the bottom is output make 
up gain. The toggle is a true by-pass. They are extremely smooth. Just butter 
on vocals and overheads on the way in. You can really smash with them but I use 
them very lightly just to add that little goodness. The eq setting you see here 
is my overheads on the way in for my current project. I shape on the way in and 
cut on mixdown as needed. I only really use these series 1 channels for O.H. & 
vox everything else goes through the series 1e strips. These sound good on 
everything but I have all my channels dedicated per instrument with the eq in a 
good starting range. Great for workflow. I have owned Api 512c, Avedis ma5, BAE 
312&1272, trident,
Avalon, and many other preamp & eq combo's and all are really good. My favorite 
to this day is the series 1e preamp/eq. I specifically remember tracking bands 
using other pre's and during mixdown thinking damn I really wish I just used 
the neotek console. I ended up selling all my high end pre's and invested the 
money in a complete overhaul of my console. I do not regret it. 




Sent from my iPhone

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