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Work of Post-Art in the Age of Generative Reproduction
The flux creates, the corporation permeates. In the trans-gender
hallucination, art objects are deprecations of the imaginations of the
flux -- a flux that uses the corporation as a parallax to enmesh
ideas, patterns, and emotions. With the synergy of the electronic
environment, the flux is superseding a point where it will be free
from the corporation to transcend immersions into the ejaculations of
the delphic hallucination. Work of Post-Art in the Age of Generative
Reproduction contains 10 minimal quicktime engines (also refered to as
"memes") that enable the user to make realistic audio/visual
compositions.
measuring chains, constructing realities
putting into place forms
a matrix of illusion and disillusion
a strange attracting force
so that a seduced reality will be able to spontaneously feed on it
James Morris's work investigates the nuances of modulations through
the use of stopframe motion and close-ups which emphasize the
Generative nature of digital media. Morris explores abstract and
quasi-sporadic scenery as motifs to describe the idea of
cyber-intuitive hallucination. Using splendicious loops, cathode rays,
and interactive images as patterns, Morris creates meditative
environments which suggest the expansion of time...
<-- Obligatory ascii sig. Repeat until desired cyborg effect is achieved. -->
/u[0]{)]|]]-] -------------/u/u...@#$%^~!@#$%^&*())
__++_)(*&^%$--------/u/u...@#$%^~!@#$
%^&*())__++_)(*&^%$--------/u/u...@#$ %...@#$%^&*())__+, etc., etc.
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On 22 October 2010 16:54, dave miller <dave.miller...@gmail.com> wrote:
> Hi Curt
>
> This is brilliant!
>
> Do you have a version that generates artist statements?
>
> dave
>
> On 21 October 2010 20:04, Curt Cloninger <c...@lab404.com> wrote:
>> cf: http://playdamage.org/manifest-o-matic
>>
>>
>>>I agree with you here - also Olson's on field poetry (forget the exact
>>>title). But it's the heart of absolutism that manifestos also offer that
>>>can be a problem.
>>>
>>>- Alan
>>>
>>>On Thu, 21 Oct 2010, Edward Picot wrote:
>>>
>>>> I'm very late coming to this, because I tend to let Netbehaviour posts
>>>> pile up and then trawl through them a week or so at a time, but this has
>>>> been a very absorbing thread, especially the exchange between Alan and
>>>> Curt about significance in art, art-teaching, etc.
>>>>
>>>> I'd just like to say a belated word in defence of manifestos. I'm quite
>>>> anti-manifesto personally, in the sense that I don't personally want to
>>>> get involved with one, or can't think of one with which I would want to
>>>> get involved; but I can see that they sometimes serve their purpose.
>>>> Radically new art sometimes has to create the critical framework from
>>>> which it should be judged, and manifestos can help with this. Being a
>>>> literary sort of person I'm thinking of things like the Imagist
>>>> manifesto, George Eliot's lengthy remarks about realism in literature in
>>>> Scenes from Clerical Life (or was it Adam Bede?) and Wordsworth and
>>>> Coleridge's preface to The Lyrical Ballads, with its plea that poetry
>>>> should be written in "language really used by men" instead of the
>>>> highly-artificial diction favoured by the Augustans. Exciting ideas, and
>>>> ideas which helped to alter the course of our literature.
>>>>
>>>> - Edward
>>>> _______________________________________________
>>>> NetBehaviour mailing list
>>>> netbehavi...@netbehaviour.org
>>>> http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>>>
>>>>
>>>
>>>
>>>==
>>>email archive: http://sondheim.rupamsunyata.org/
>>>webpage http://www.alansondheim.org
>>>music archive: http://www.espdisk.com/alansondheim/
>>>==
>>>_______________________________________________
>>>NetBehaviour mailing list
>>>NetBehaviour@netbehaviour.org
>>>http://www.netbehaviour.org/mailman/listinfo/netbehaviour
>>
>> _______________________________________________
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>
>
>
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