what do you mean by "value", ruth? value to whom? monetary value,
cultural value, nostalgic value, personal value ... ??

& then, what do you mean by "art" and "artists" ...

h ;)


On 11.10.2017 10:51, Gretta Louw wrote:
> I’ve been spending a lot of time puzzling over social media lately and
> think (horrifyingly) that the value of the latter is increasingly
> measured in instagram followers - we’re not yet at the point of openly
> sponsored posts, but indirectly I think it’s already happening… 
>
>
>
>
>> On 11. Oct 2017, at 09:58, ruth catlow <ruth.cat...@furtherfield.org
>> <mailto:ruth.cat...@furtherfield.org>> wrote:
>>
>> Perfectly put Helen!
>> Art reframed as a new asset class for fractional ownership ain't my
>> idea of utopia.
>>
>> I have a question brewing - that I want to run by everyone - about
>> the value of art and artists now and in the future.
>>
>> If anyone can tell me what that question is I'd be very interested to
>> hear what it is;)
>>
>> Otherwise...soon...
>> :!
>>
>> On 09/10/17 09:22, helen varley jamieson wrote:
>>>
>>> agree. thank goodness my art is mostly ephemeral & can't be stuck
>>> with a financial pin like a dead butterfly ...
>>>
>>>
>>> On 07.10.2017 02:29, Alan Sondheim wrote:
>>>>
>>>> I noticed this -
>>>>
>>>> "Maecenas touts itself as a blockchain platform that, according to
>>>> its creators, will democratise access to fine art. For the first
>>>> time, the Maecenas website enthuses, technology will allow
>>>> investors, collectors and owners to exchange shares in paintings
>>>> and sculptures instantly, akin to the way stocks of a company are
>>>> traded today."
>>>>
>>>> This does NOT democratise access to art; it's nothing more than a
>>>> secure way to protect and exchange's one investment - which plays
>>>> into the notion of enclaving described in Mike Davis' City of
>>>> Quartz (think it was written in the 80s). Art has to RESIST
>>>> enclaving, unless one accepts useless decoration and
>>>> connoisseurship as the only form of art worth considering.
>>>>
>>>> One of the amazing things about Furtherfield is, at least as far as
>>>> I can tell, it itself is a form of resistance! I'd thank God for
>>>> this, but given the state of things on the planet, I wouldn't want
>>>> to burden Her with more communication.
>>>>
>>>> - Alan
>>>> _______________________________________________
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>>>>
>>>
>>> -- 
>>> helen varley jamieson
>>> he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
>>> http://www.creative-catalyst.com <http://www.creative-catalyst.com/>
>>> http://www.upstage.org.nz <http://www.upstage.org.nz/>
>>>
>>>
>>> _______________________________________________
>>> NetBehaviour mailing list
>>> NetBehaviour@netbehaviour.org
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>>
>>
>> -- 
>> Co-founder Co-director
>> Furtherfield
>>
>> www.furtherfield.org
>>
>> +44 (0) 77370 02879
>>
>> Bitcoin Address 197BBaXa6M9PtHhhNTQkuHh1pVJA8RrJ2i
>>
>> Furtherfield is the UK's leading organisation for art shows, labs, &
>> debates
>> around critical questions in art and technology, since 1997
>>
>> Furtherfield is a Not-for-Profit Company limited by Guarantee
>> registered in England and Wales under the Company No.7005205.
>> Registered business address: Ballard Newman, Apex House, Grand
>> Arcade, Tally Ho Corner, London N12 0EH.
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>
>
>
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-- 
helen varley jamieson
he...@creative-catalyst.com <mailto:he...@creative-catalyst.com>
http://www.creative-catalyst.com
http://www.upstage.org.nz
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