Dear dear nettimers,

Awake! The arts are kickin it! Maybe badly...
Here is another, maybe relevant txt if you haven’t seen it!

<hey Daniel, I see that you have followed the NFT situation lately, I'm
happy that I can share with you this article I wrote some days ago in Italy
and now also translated >

https://networkcultures.org/longform/2021/03/11/cats-frogs-and-cryptoartists-what-if-auteur-jpgs-become-a-luxury-good/

molly



On Fri, Mar 12, 2021 at 11:57 AM Heidrun Allert (sie/she) <
all...@paedagogik.uni-kiel.de> wrote:

> Dear Brian,
>
> The hierarchie you present is a valuable framework. Interestingly enough,
> Bitcoin advocates claim that mining Bitcoin is real labor, real machines,
> real workers there.
>
> Best heidrun
>
> sent enroute
>
> Am 11.03.2021 um 18:20 schrieb Brian Holmes <bhcontinentaldr...@gmail.com
> >:
>
> 
>
> I can't answer the second question, but as to the first I believe that
> there are three distinct forms of money that currently operate in a
> hierarchy:
>
> -- Infinite money which is produced and deregulated in the financial
> markets through the manipulation of information
>
> -- Institutional money which is produced and regulated within national
> frames by governments seeking to stabilize social reproduction
>
> -- Sweat money which is produced on the ground through the exploitation of
> labor paid at the bear minimum of survivability
>
> The last form of money is the most extensive one, it's the most common
> coin, the basis of most livelihoods on earth. Institutional money, however,
> has been carefully decoupled from sweat money; and infinite money has been
> decoupled from institutional money in its turn. Institutional money began
> to be produced through Keynesian management of national economies from the
> 30s onward, it's inseparable from social democracy. Infinite money started
> up after the postwar gold standard was abandoned in 1971, and became what
> it is today with the introduction of computerized trading.
>
> What does infinite money mean to its owners? Financial capital is power
> when it is applied to institutions or labor processes. However it can also
> be used for status displays, what Veblen called "conspicuous consumption."
> So you have to bring art back in. For better and mostly worse, "high"
> culture remains the noisy ghost at the top of the capitalist pyramid.
>
> best, Brian
>
> On Thu, Mar 11, 2021 at 10:47 AM Felix Stalder <fe...@openflows.com>
> wrote:
>
>> I'm sure many have followed the NFT art saga over the last couple of
>> months and seen today's headline that somebody just paid $ 69,346,250
>> for a NFT on a blockchain, meta-data to claim ownership of the
>> "originalcopy" of a digital art work.
>>
>>
>> https://onlineonly.christies.com/s/first-open-beeple/beeple-b-1981-1/112924
>>
>> I don't want to start a discussion on the revolutionary vs reactionary
>> character of this emerging art market. All of that has already been
>> said. If you want a close approximation of my perspective, I refer you
>> to this:
>>
>>
>> https://everestpipkin.medium.com/but-the-environmental-issues-with-cryptoart-1128ef72e6a3
>>
>> What I'm more interested in here is to ask two things.
>>
>> What -- after a decade of quantitative easing and crypto-currencies
>> rising into the stratosphere -- monetary value is indicating for the
>> segment that profited the most from these developments and what does
>> that mean for the rest of us?
>>
>> And, assuming that this is not a cartoon version of a potlatch where
>> wasting resources serves to put rivals to shame, how many different
>> scams -- money laundering would be an obvious contender -- are being
>> layered on top of one other to create this?
>>
>> Quite puzzled. Felix
>>
>>
>>
>>
>>
>>
>>
>>
>>
>> --
>> | |||||||||||||||||| http://felix.openflows.com |
>> | Open PGP | http://felix.openflows.com/pgp.txt |
>>
>> #  distributed via <nettime>: no commercial use without permission
>> #  <nettime>  is a moderated mailing list for net criticism,
>> #  collaborative text filtering and cultural politics of the nets
>> #  more info: http://mx.kein.org/mailman/listinfo/nettime-l
>> #  archive: http://www.nettime.org contact: nett...@kein.org
>> #  @nettime_bot tweets mail w/ sender unless #ANON is in Subject:
>
> #  distributed via <nettime>: no commercial use without permission
> #  <nettime>  is a moderated mailing list for net criticism,
> #  collaborative text filtering and cultural politics of the nets
> #  more info: http://mx.kein.org/mailman/listinfo/nettime-l
> #  archive: http://www.nettime.org contact: nett...@kein.org
> #  @nettime_bot tweets mail w/ sender unless #ANON is in Subject:
>
> #  distributed via <nettime>: no commercial use without permission
> #  <nettime>  is a moderated mailing list for net criticism,
> #  collaborative text filtering and cultural politics of the nets
> #  more info: http://mx.kein.org/mailman/listinfo/nettime-l
> #  archive: http://www.nettime.org contact: nett...@kein.org
> #  @nettime_bot tweets mail w/ sender unless #ANON is in Subject:

-- 


molly hankwitz - she/her
http://bivoulab.org
#  distributed via <nettime>: no commercial use without permission
#  <nettime>  is a moderated mailing list for net criticism,
#  collaborative text filtering and cultural politics of the nets
#  more info: http://mx.kein.org/mailman/listinfo/nettime-l
#  archive: http://www.nettime.org contact: nett...@kein.org
#  @nettime_bot tweets mail w/ sender unless #ANON is in Subject:

Reply via email to