------------------------ ZOOM FOR FM >My girlfriend is searching for a Nikon telezoom for her FM (50/1.8, Sigma28-70). >1) 70-210/4 E >2) 80-200/4.5 >3) 80-200/4 >4) 100-300/5.6 The 8--200/4.5 is the best in this group. In fact, it is the one that set the standard for zooms back in it's heyday! In 1982 the lens was over $650. It can be had used now for $200 in places. It is even regarded higher thn the slightly faster f/4 version. ------------------------------ FASTEST 1.0 >Generally I like fast lenses and use my 50/1.4 and a 28/2 a lot of times, but a >lot of times an extra stop would be useful. I usually shoot without tripod when I >am doing available light. I know Nikon builds a 50/1.2 and a 58/1.2 Noct, but I >don't think the half stop justifies the investment. >I have heard that Canon builts a 50/1.0, is it possible to use an adaptor for this >lens. (Is there a lens inside the adapter, like in my M42 adapter) Has anyone >experiences? If you need the extra stop and cannot push the film or use faster film, then opt for the Leica 50/1.0 rangefinder lens on the M3 or M6. ------------------------------ HOW TO GET GEAR >I have about $2,500 saved up for gear or pending in invoices that is ear >marked for gear. >I'm considering the following: >1. 300mm F2.8 AF-S >2. 80-200mm F2.8 AF-S >3. The two TC's to go with the above >4. The 28-70mm F2.8 AF-S >5. Portable Studio Strobes and a pocket wizard trigger (for illuminating >gyms and studio work) >6. CoolPix 950 >What should I do? Marry well. :-) ------------------------------ I LIKE IT HERE Just want you all to know that I love coming home to find the digest here. Keep up the great work! Robert in Redlands
