Post-Imperial cultural tripe, a few steps above Disney.  I didn't bother 
giving this piece a listen because one of my most unsatisfying gigs was 
playing the piper in a stint of Orkney Wedding.  It was clear that the 
composer knew very little about the pipes.  From the ornaments alone it 
was clear he hadn't even given the most basic tutor a once over, because 
one or two were impossible and most were pointless.  It required the piper 
to start in the lobby and walk in from the stage right.  Fair enough, 
except the piper's part starts on the beat four of the bar previous to the 
orchestra...playing the same melody a beat ahead of the orchestra.  You 
are supposed to do this while waiting off stage without being able to see 
the conductor.  Add to that the fact the conductor spoke only Japanese, 
and no one in the orchestra gave the piper a cursory "hello."  Like 
playing with the Cheiftains, it may be prestigious but afterwards you feel 
like a cheap trick.  Wham, bam, there's the door.

John 




"Chris Ormston" <[EMAIL PROTECTED]> 
10/28/2006 03:28 AM

To
<nsp@cs.dartmouth.edu>
cc

Subject
[NSP] Re: Kathryn Tickell on Radio 3







I managed to listen for a few minutes, then had to switch off.  The little
that I heard clearly demonstrated the composer's lack of understanding of
the instrument and its music.  Bagpipe music is all about the relationship
between melody and drones, yet we were subjected to strange intervals that
neither sit comfortably on the chanter nor relate to the drone
accompaniment.  Previous works by this composer have included a piece for
pipes which goes beyond the range of the chanter - enough said??? More
high-brow, emperor's-new-clothes fodder using the pipes as a gimmick!

Chris

-----Original Message-----
From: Matthew Walton [mailto:[EMAIL PROTECTED] 
Sent: 28 October 2006 08:47
To: Richard Shuttleworth
Cc: nsp@cs.dartmouth.edu
Subject: [NSP] Re: Kathryn Tickell on Radio 3

I had some of the same feelings myself. It definitely wasn't in the
mould of the traditional music for the pipes, and while I do like to see
composers and players branching out into other types of music for
instruments from time to time, in a lot of cases unless one does stick
close to the traditional style, one doesn't get the most out of the
instrument (this is something I've also observed on the recorder,
although modern recorder music is something quite evil which relies on
techniques fit to drive you mad).

But as you say, Kathryn played it well. There were some bits in there
which I definitely wouldn't have wanted to attempt on any instrument!

On Fri, 2006-10-27 at 18:24 -0400, Richard Shuttleworth wrote:
> Thanks for the heads-up.  I managed to catch it but was quite
disappointed. 
> The pipes were under-recorded most of the time and were often drowned 
out
by 
> the orchestra.  The second (slow) movement raised my hopes for a while 
but

> sadly missed a golden opportunity to showcase the pipes, almost as 
though
to 
> composer didn't really know how to treat the instrument and tried to 
bend
it 
> into a classical mold instead of taking advantage of the traditional
gendre 
> that the pipes could have made available to him.
> 
> None of the above detracts from Kathryn's playing, she was superb!
> 
> Just my 2 pence work,
> 
> Richard
> 
> Matthew wrote:
> 
> > It's working right now as I'm in the middle of the relevant piece.
> > Probably won't be available after today though, as they take them down
> > after seven days - may not even be available later this evening.
> >
> > I'm in no position to comment on Kathryn's playing style but it
> > certainly doesn't sound like the sort of pipe music she usually plays 
on
> > her albums. Of course, on her albums she's not got the Northern 
Sinfonia
> > playing with her either.
> >
> > Tis good.
> >
> > On Sun, 2006-10-22 at 23:47 +0200, Bart Blanquart wrote:
> >> WILLIAM REEDER wrote:
> >> > Was this program ever archived?  I seem to be completely unable to
find 
> >> > it.
> >>
> >> The BBC seems to be having difficulty with the archiving feature; 
they
> >> have 'Performance on 3' archived for all days this week but friday.
> >>
> >> At the top of their radio player
> >> (http://www.bbc.co.uk/radio/aod/radio3.shtml) it currently says "We
> >> regret that many programmes are unavailable. We are working to 
restore
> >> normal service"... so hopefully it'll show up soon.
> >>
> >> Bart
> >>
> >>
> >>
> >> To get on or off this list see list information at
> >> http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> >>
> >
> > -- 
> 
> 
> 

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