A more considered version of my effort from last night, deleting some weak strains and rearranging the remainder to echo what happened in Crawhall's 5.
X:1 T: Where hast thou been a' the day, waggin' thy hand? M:6/8 R: Air C: After Crawhall K:G |:e|dBG GB/c/d/B/|eAB c2e|dBG GB/c/d/B/|dg/f/B d2:| e|dgf gdB| eAB c2e|dgf gdB|Ggf d2 e|dgf gdB|eAB c2e|dBG GB/c/d/B/|dgf d2|| e|GB/c/d/B/ GB/c/d/B/|eAB c2e|GB/c/d/B/ GB/c/d/B/|dgf d2e| GB/c/d/B/ GB/c/d/B/|eAB c2e|gf/e/f/g/ GB/c/d/B/|dgf d2|| e|d/c/B/c/d/e/ d/c/B/c/d/B/|eAB c2e|d/c/B/c/d/e/ d/c/B/c/d/B/|Ggf d2e| d/c/B/c/d/e/ d/c/B/c/d/B/|eAB c2e|gf/e/f/g/ GB/c/d/B/|dgf d2|| e|dcB dcB |eAB c2e|dcB dcB |Ggf d2e| dcB dcB |eAB c2e|dBG GB/c/d/B/|dgf d2|| ||:e|d/c/B/A/B/G/ d/c/B/A/B/G/| e/d/c/B/c/A/ c2e|d/c/B/A/B/G/ d/c/B/A/B/G/| d/e/f/g/f/B/ d2:|| e|d/e/f/g/f g/f/e/d/B| e/d/c/B/A/B/ c2e|d/e/f/g/f g/f/e/d/B|d/e/f/g/f d2 e|d/e/f/g/f g/f/e/d/B|e/d/c/B/A/B/ c2e|g/f/e/f/g GB/c/d/B/|dgf d2|| e|G/A/B/c/d/B/ d/c/B/c/d/B/|e/c/A/c/B c2e|G/A/B/c/d/B/ d/c/B/c/d/B/|d/e/f/g/f d2e| G/A/B/c/d/B/ d/c/B/c/d/B/|e/c/A/c/B c2e|gf/e/f/g/ GB/c/d/B/|dgf d2|| e|d/c/B/c/d/e/ g/f/e/f/g/f/|e/d/c/B/A/B/ c2e|d/c/B/c/d/e/ g/f/e/f/g/e/|d/e/f/g/f d2 e|d/c/B/c/d/e/ g/f/e/f/g/f/|e/d/c/B/A/B/ c2e|d/c/B/A/G GA/B/c/d/|dgf d2|| e|dG/A/B dG/A/B|e/c/AB c2e|dG/A/B dG/A/B|d/e/f/g/f d2 e|dG/A/B dG/A/B|e/c/AB c2e|d/c/B/A/G GB/c/d/B/|d/e/f/g/f d2|| Now to feed Julia's version into the tune-o-tron to see what it looks like... Have fun in Edinburgh, John ________________________________________ From: lute-...@cs.dartmouth.edu [lute-...@cs.dartmouth.edu] On Behalf Of Julia Say [julia....@nspipes.co.uk] Sent: 06 November 2010 06:11 To: Matt Seattle; Gibbons, John Cc: nSP group Subject: [NSP] Re: Where hast thou been a' the day, waggin' thy hand? On 6 Nov 2010, Julia Say wrote: > I think I'm heading in some of the same directions Here's the draft. I've taken a different approach to John, combining the "theme strains" in a different way, according to my current prejudice that some variation sets were written down without the "ground" on the front. (Bobby Shaftoe in Clough MSS is like this and Clough says so: I believe Peacock's Felton Lonnen is also, although I don't want to bring that into this discussion since Matt & I have already had one lively episode over it earlier this year). I've chosen to use both of the possible bar 2 patterns, one as an A strain, one as a B. Contradicts what I said earlier, but that's what it wanted to do. X:1 T:Where hast thou been all the night?(up writing variations) M:6/8 S:JS E:12 L:1/8 K:G e|dBG B>cd|dgB d2e|dBG B>cd|dgf d2 e|\ dBG B>cd|dgB d2e|dBG B>cd|dgf d2 e||\ dgf gdB|eAB c2 e|dgf gdB|\ E:14 Ggf d2 e|\ dgf gdB|eAB c2 e|dBG GB/c/d/B/|dgf d2||* L:1/16 E:9 e2|dcBABG B3cd2|d2BcdB d4 e2|dcBABG B3cd2|d2g2f2 d4 e2|\ dcBABG B3cd2|\ E:10 d2BcdB d4e2|dcBABG G2BcdB|d2g2f2 d4||\ e2|d2BcdB g2BcdB|e2ABcB c4 e2|\ E:8 d2BcdB g2BcdB|G2g2f2 d4 e2|\ d2BcdB g2BcdB|e2ABcB c4 e2|dcBABG G2BcdB|d2g2f2 d4||* e2|dcBcde dcBcdB|dcBcdB d4 e2|dcBcde dcBcdB|d2g2f2 d4 e2|\ dcBcde dcBcdB|\ E:9 dcBcdB d4 e2|dcBABG B3cd2|d2g2f2 d4 ef||\ gfefge dcBABG|edcBAB c4 e2|\ E:8 gfefge dcBABG|d2g2f2 d4 ef|\ gfefge dcBABG|edcBAB c4 e2|dcBABG B3cd2|d2g2f2 d4||* E:8 L:1/16 e2|dBGgdB dBGBdg|d2g2B2 d4 e2|dBGgdB dBGBdg|d2g2f2 d4 e2|\ dBGgdB dBGBdg|\ E:10 d2g2B2 d4 e2|dcBABG B3cd2|d2g2f2 d4||\ e2|dgdBdg bgdBGB|e2ABcB c4 e2|\ E:8 dgdBdg bgdBGB|d2g2f2 d4 e2|\ dgdBdg bgdBGB|e2ABcB c4 e2|dcBABG B3cd2|d2g2f2 d4||** > > It needs some editing and probably some bits throwing away. Likewise with mine. With the three (Matt's, John's and mine) in front of me, I'd now settle down and play them - if it wasn't 6am. Later I'll combine the bits I like from all three and come up with a revision sometime - if I wasn't due out to Edinburgh in an hour or so. Julia To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
