I hate to even suggest it but could they have recorded Rec709 instead of LogC? 
Or perhaps someone rendered LogC to Rec709 between when it was shot and when it 
got to you. Either way, awkward.

Sent from my iPhone

On Oct 28, 2016, at 13:41, Neil Scholes 
<n...@uvfilms.co.uk<mailto:n...@uvfilms.co.uk>> wrote:

thanks  really appreciate it

I can’t send a pic unfortunately - just signed the NDA etc etc…..

thanks for the snippet - yes they have exactly the same effect - negative 
numbers in super brights

interestingly when i change the incoming primary to sRGB rather than 
AlexaV3LogC -  i get rid of the negatives and the image looks about natural

Which makes me think that there is defo something weird about the plate - like 
the tone mapping is correct but the colours are not….

Anyway - thanks for your help - ill stick with normal nuke for these shots  - 
ACES is great if the plates are spun out properly me thinks.

N



Neil Rögnvaldr Scholes

Director | VFX Supervisor

www.neilscholes.com<http://www.neilscholes.com>

+44 (0) 7977 456 197

On 28 Oct 2016, at 20:08, Haarm-Pieter Duiker 
<l...@duikerresearch.com<mailto:l...@duikerresearch.com>> wrote:

Here's a little script to compare the default Nuke colorspace result and the 
OCIO config result. Looks pretty similar...

HP

set cut_paste_input [stack 0]
version 10.0 v1
Constant {
 inputs 0
 channels rgb
 format "1024 1024 0 0 1024 1024 1 square_1K"
 name Constant1
 selected true
 xpos 1519
 ypos 280
}
Expression {
 expr0 x/(width-1)
 expr1 x/(width-1)
 expr2 x/(width-1)
 name Expression1
 selected true
 xpos 1519
 ypos 352
}
Dot {
 name Dot1
 label "LogC data"
 selected true
 xpos 1553
 ypos 400
}
set N4d458970 [stack 0]
OCIOColorSpace {
 in_colorspace "Input/ARRI/Input - ARRI - V3 LogC (EI800) - Wide Gamut"
 out_colorspace "ACES/ACES - ACEScg"
 name OCIOColorSpace1
 selected true
 xpos 1445
 ypos 438
}
push $N4d458970
Colorspace {
 colorspace_in AlexaV3LogC
 primary_in AlexaV3LogC
 name Colorspace1
 selected true
 xpos 1577
 ypos 438
}





On Fri, Oct 28, 2016 at 11:18 AM, Neil Scholes 
<n...@uvfilms.co.uk<mailto:n...@uvfilms.co.uk>> wrote:
Hey yes I do have raw checked…. double checked……

crazy negative values

weird one

I’m having to resort to standard nuke and use the basic colorspace node to 
convert from Arri LogC - shame really as i’d prefer ACES.

I think its either a bug or the plate.



Neil Rögnvaldr Scholes

Director | VFX Supervisor

www.neilscholes.com<http://www.neilscholes.com/>

+44 (0) 7977 456 197<tel:%2B44%20%280%29%207977%20456%20197>

On 28 Oct 2016, at 18:38, Haarm-Pieter Duiker 
<l...@duikerresearch.com<mailto:l...@duikerresearch.com>> wrote:

Hey,

Do you have 'raw data' checked on the read node? If you don't, Nuke apply it's 
own linearization when the data is read in, at which point the data flowing 
through the graph is no longer LogC encoded.

Not checking that box could lead to problems like you're describing.

HP



On Friday, October 28, 2016, Neil Scholes 
<n...@uvfilms.co.uk<mailto:n...@uvfilms.co.uk>> wrote:
Hi

So I’m looking at supposed ARRI LogC footage - dpx's

In ACES (1.0.1) converting from ARRI V3 LogC (EI800) Wide Gamut to ACEScg gives 
me horrible negative values …..big ones

So I’m wondering -  is there a bug with ARRI V3 LogC  and ACES currently?, or 
is it likely that the plate is not actually LogC ?

Thanks for any pointers

N



Neil Rögnvaldr Scholes

Director | VFX Supervisor

www.neilscholes.com<http://www.neilscholes.com/>

+44 (0) 7977 456 197<tel:%2B44%20%280%29%207977%20456%20197>

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