Hi Patko I'm so sad to hear that you don't seem to like those sounds at all. But thanks for the feedback.
On Thu, 2010-03-25 at 19:36 +0100, colet.patr...@free.fr wrote: > In fact I've no clue about how max instrument patches sounds, only using it > for livelooping, but I and other musicians like me didn't like the sonority > of netpd for example, because rendered texture are poor, only one sytnh sound > good (I don't remember which one), and once we've turned around all > sonorities of this synth, there's not much things to play with. > I'm not blaming the great work of roman on netpd, No offense taken. It was the work of quite a few people. > but just demonstrate that in despite a lot of efforts to have tools for > making music with pd, there's no way to make something smooth enough to be > commercial, unless cheating with some steinberg or direct x stuff, of knowing > by heart all the dsp tricks. Anyway, I'd like to hear something composed by a > king of pd patches, for the fun. Me too! You made me really, really curious: Which synth was it that you didn't dislike so much? Or can you point me to a track that's using that synth? Roman _______________________________________________ Pd-list@iem.at mailing list UNSUBSCRIBE and account-management -> http://lists.puredata.info/listinfo/pd-list
