What do you develop Fp4 in? Can you give me a hint on
a development time to start? What am I going to be
seeking by varying the development times? Almost
completely blocked out highlights?
Herbet.
--- William Robb <[EMAIL PROTECTED]> wrote:
> We just make up the models face, blending the base
> down below
> the neckline. Most of the smoothing is done with
> camera
> filtration and development. The make-up really just
> covers
> blemishes If they have scarred up hands, we will use
> makeup on
> them, and I have on a few occassions used full body
> make-up on
> models that were a bit rough (to be kind). Lighting
> must be very
> even frontal light. Use your mono light dead centre
> above the
> lens, with a large reflector below the field of view
> reflecting
> back up. Another method that works well is to put
> one light just
> outside of the field of view at 90º to the model
> with a
> reflector opposite, also just out of camera range.
> Don't be
> afraid to use a bit of a softening filter also. The
> key is to
> use a large modifier. I use a 60" Moonlight as my
> main for
> glamour stuff, and get it right close, within a
> couple of feet
> of the model.
> William Robb
> ----- Original Message -----
> From: "herbet brasileiro" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: January 28, 2001 8:06 PM
> Subject: Re: Fashion look
>
>
> > Hi William,
> > Thanks for the help. I'm definitely keeping myself
> > away from TMX and maybe even Delta. They're not as
> > smooth as TriX, FP4 or PanF. The orange filter
> sound
> > good, but about the make up, do they apply in the
> > hands too, because if you look they quite follow
> the
> > same tone in the face.
> > And the light? It's always frontal lighting ? As I
> > don't have the sunny Italian days here in Canada
> at
> > this time of the year I'm using a monolight either
> > shooting through an white umbrella or to a
> black/white
> > reflective umbrella. I've also set an AF330 with a
> > diffuser to work as fill light.
> > Thanks again,
> > Herbet.
> >
>
>
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