It is also _very_ hard to do. That guy had a magic finger. How to see the approach of a composition is beyond me. I have found that motor drives don't help; that revelation didn't surprise me much. Using a motor drive is like using a shotgun to hit a BB.
-Lon T Rittenhouse wrote, in part: > The crusty old guy (HCB) is one of my heroes. If you had seen my photos from > the old days you would have had no doubt of his influence on me. I do, I > admit, tend to be very irreverent about my heroes. > > The fact is his obsevation that the instant selected to push the button is > one of the most important visual controls we have. After all, what makes > still photography different from videography is that we take one tiny slice > out of a time sequence and try to show something universal rather than just > I was there. In fact, especially with people photography, that is the > difference between a great photograph and a snapshot, at least in my mind. ou're splitting hairs here Tom. <g>
