i like to shoot people. in the last month i have used 4 rolls of fuji reala on members of my family. they needed photos of kids in the family and whole familys to hang on the walls. my sister wanted a generation photo of my mom, her daughter, her daughters daughter and you get what i mean. i like to shoot old buildings such as gas stations and run down structures.i like shoot some of those above memtioned subjects with t-max 3200 and konica 3200. i do most of my shooting for my own satisfaction all thu i would love to make one big sale of a photo if i could.
Hi George, Not too long at all. The responses have been fascinating so far. I'm finding out all kinds of cool things people do with their cameras that I'd never thought about before. Biology and photography is an excellent mix :-) Dan Scott [EMAIL PROTECTED] George wrote: >In a message dated 3/10/01 2:08:23 AM Pacific Standard Time, [EMAIL PROTECTED] >writes: > ><< Dan Scott asks: > > So, what do you shoot? And why that? > >> > > >There is no way I can be as poetic as Glenn. That is a tough act to follow. > >I shoot primarily animals and scenics. My graduate education centered mostly >on the study of small to medium sized mammals so many of my subjects are >things that many people rarely see or at least do not pay much attention to >(mice, squirrels, rabbits, etc.) but I am not beyond taking photos of >antelope and deer and I have an extensive collection of slides from zoos. >The scenics are generally taken when I am studying the animals or when I am >on vacation. > >Fortunately my career affords me some opportunity to photograph both >subjects. I say "some opportunity" because my primary responsibility is to >study the animals so I cannot generally wait around for the best light or for >that critter to come out of its burrow. As a museum curator, part of his job >is to learn about my state and its natural history. I can then interpret >what I learn for the public. As an example, recently, my boss and I gave a >public program on rare and endangered plants and animals in the state of >Nevada, USA. Most of the habitats shots were taken by us. The plant photos >were all hers. Unfortunately, I had to borrow or buy most of the animal >slides. Not only are these critters, by definition, rare and, therefore, >difficult to find and photograph but there are ethical and legal >considerations regarding getting close enough to them to get a good picture >(this could be considered harassment). > >It is not at all unusual for me to loan my photos to our exhibit artist so >she can get the feet right on some animal she is depicting. A few of my >shots may go into a new exhibit we are preparing and others will likely be >used in the future. I will continue to use my slides of more common animals >in my public presentations. > >The other aspect of my photography is more documentary. Most of you in this >group have experience with friends and/or coworkers saying something like >"Let's get the guy/gal with all the camera gear to take the photos." This is >both by design and because I generally have a camera around. I am frequently >the person with the camera at parties and public functions that many people >try to avoid but later seek out to see the photos of other people. Before I >moved from Texas, I was fortunate enough to photograph two or three releases >of formerly sick dolphins back to the wild. Now I frequently document >projects around the museum. I have photographed buildings being constructed, >exhibits being made, and an archeological dig that occurred in our parking >lot [A pile of coin dies for the Carson City Mint was found. [If you are >"Coin Enthusiast" and want to know more contact me off the list.] These >types of shots frequently make it into the museum newsletter. The coin stuff >became an exhibit. > >Yes, we have a professionally trained photographer on staff. He takes all >the studio shots and does all the B&W reproductions but he is also >responsible for exhibit design and construction so I sometimes fill in for >the more impromptu stuff I have described above. >I also take promotional and documentary photos of him teaching martial arts >classes. Its would be difficult for him to get punched by women and >manhandle police (he can get away with this in this venue) and take the >photos at the same time. Actually, I am complemented he thinks enough of my >photography to ask me to do this. > >To keep this too long note somewhat on topic -- Yes I use Pentax gear. If >any of the list's participants are going to be near Carson City, Nevada, USA >(western Nevada) feel free to give me an email. Like may locals, I am not >terribly familiar with the "touristy" stuff to do but I can tell you where >the museums and camera stores are and maybe give you ideas on a few >photographic locations. I know very little about Lake Tahoe, the casinos, or >the brothels. > >Sorry about the length. I know I am too dxxm wordy. > >George Baumgardner >- >This message is from the Pentax-Discuss Mail List. To unsubscribe, >go to http://www.pdml.net and follow the directions. Don't forget to >visit the Pentax Users' Gallery at http://pug.komkon.org . - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
