This one time, at band camp, "Paul Sorenson" <[EMAIL PROTECTED]> wrote:
> Kevin - > > get more side lighting on the smoke. Ok, so with the main light, I can do several shots (bracketed 1 stop) and move the main light in a semi circle about the subject, getting various effects with the light. Should the main light have a snoot and focused on the smoke? This would have the fill (2-3 stops less light) to illuminate the model. > Keep using the MZ-S - using the monolights, you're using manual exposure. > Once you have the exposure set for the monolights, set the exposure > compensation on the MZ-S body to -3 and you should have enough light to > trigger the monolights, but not enough to influence what gets recorded on > the film. Or tape a small white card in front of the pop up flash so its > light bounces up toward the ceiling. Again, you should get enough to > trigger the mono's but not enough to affect the final exposure. ahh, good thought, I have a AF-360 FGZ flash, it has a built in diffuser. I also have an off camera cable for it, so I could simply point it at one of the monolights, facing away from the subject. With this method I could also do a rear curtain sync. Kind regards Kevin -- ______ (_____ \ _____) ) ____ ____ ____ ____ | ____/ / _ ) / _ | / ___) / _ ) | | ( (/ / ( ( | |( (___ ( (/ / |_| \____) \_||_| \____) \____) Kevin Waterson Port Macquarie, Australia
