Well, then, color me crazy ... <LOL> One continually reads how the LCD and histogram of the digital camera allows the photographer to immediately see the results of the exposure, and, if need be, make another, and that's a valid point ... as far as it goes. But subjects move, light changes, and a good photog knows if he's got the shot. So, while one photog is looking at a histogram and correcting exposure parameters, the poor schmuck with a "legacy" slr has made a number of shots any number of which may be used later. I suppose it's a matter of style ...
Immediate results with a somewhat slower approach, or more results, made with greater speed and more "feeling", later. Whatever floats yer boat ... Crazy Cap'n Shel "Bill D. Casselberry" wrote: > > Shel Belinkoff wrote: > > > > And what's to prevent the photographer using film to make > > > several exposures of the same subject, bracketing the > > > exposure, shooting from different points of view, even using > > > different cameras with different films. > > HAR! Anyone willing to do that would first have to get > out of their straightjacket and slip past the guards at > whichever loonybin they've been stuck in - those sound > like true signs of insanity in this Brave New Digital World. > > !8^D Bill > > --------------------------------------------------------- > Bill D. Casselberry ; Photography on the Oregon Coast > > http://www.orednet.org/~bcasselb > [EMAIL PROTECTED] > ---------------------------------------------------------
