Maybe WIlliam Robb can answer this for me... is it possible or even likely
that when processing print film in a machine one can get "no color
correction"? I have requested this in the past, but heard that machines
have "default profiles" for lack of a better word, or that some adjust
themselves during the day so that your roll starts off with the same
settings as someone else's roll (the one before you). I probably am
muddling this up. The other possibility is that the clerk agrees to no
color correction, but you have no way to actually verify that's what you get
back.
I will muck this statement up as well. Since we're dealing with negs, is
there truly such a thing as "no color correction"? Unlike a slide where you
basically see what you get, isn't any processing of a negative more or less
an interpretation, even if "all dials are set to midpoint"? I'm sure I'm
showing my ignorance bigtime here (but what's new?).
One of the reasons I shoot mostly E6.
Tom C.
Tanya wrote:
<snip>
> No matter how long they spend
> adjusting colours (or not adjusting them as I usually request), the
colours
> are always yucky (for want of a better word!),
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