Thanks in advance.
Otis Wright
Herb Chong wrote:
not necessary. it is necessay to enable color management by having a chosen working space in Photoshop and converting everything that is tagged with a known color space to that one on input. if a file isn't tagged with a color space and it's from a digital camera, you can assume that it is sRGB. sRGB is an IEC standard. the different types of sRGB given by a camera are to tell it how to modify the captured color before saving in sRGB in the file on the memory card. if your camera supports it, Adobe RGB is a wider gamut color space and gives better results when printing although it looks flatter on the screen. if this is the case, your working space in Photoshop should be Adobe RGB. if it isn't your working space should be sRGB. one of the problems with Paintshop Pro is that ir assumes sRGB and provides no means to map from anything else to sRGB. another is that it provides no means to perform even a rough calibration of your monitor. if you can calibrate your monitor independently of Paintshop Pro, it can do proper color management on printing. Photoshop Elements and Picture Window Pro are two of the lower end programs that do adequate color management for display while you are working.
Herb...
----- Original Message ----- From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, April 02, 2004 2:35 AM
Subject: Re: Ignoring:PS colour -3 choices ?
So it's best then if you can have the camera color space set to the samePhotoshop?
color space as PS? And would sRBG on a camera be the same as sRBG in a
(Hope that's the right color space acronym.) Is it standardized enough tobe
the same? Or about the same?