David,
Astia 100F specs at:

http://www.fujifilm.com/jsp/fuji/epartners/bin/RAP100FAF3-149E_1.pdf

Should be a good test. Fuji claims an RMS granularity
factor of 7 .."lowest of any slide film".

Looking forward to your test results.

Jack

David Zaninovic <[EMAIL PROTECTED]>
wrote:Anybody knows what is the range of Fuji Astia
100F ? I find that Astia has low enough contrast for
me so I would like to compare
that with *ist D.
Did anybody use Astia before *ist D ? What are the
differences ?

----- Original Message ----- 
From: "J. C. O'Connell" 
To: 

Sent: Friday, November 05, 2004 10:28 AM
Subject: RE: USAF target and resolution tests


> Here is a good page by a guy who ran tests.
>
http://www.path.unimelb.edu.au/~bernardk/tutorials/360/technical/hdri/
>
> He puts the dymanic range of reala color
> film at about 15 stops. So that is
> dramatically better than 11 you state
> and I have read some of the current
> DSLRs are actually about 9 which is virtually same
as
> a good slide film & not as good as a good
> color neg film in terms of maximum recordable
> dynamic range.
>
> Coindidentally, 15 stops is the same maximum range
> as human vision of a given scene (doe not
> take into account long term range extension
> of dark adjusted eyesight at low light levels or
maximum stop
> down of pupil aperture at high light levels).
>
> JCO
>
> -----Original Message-----
> From: William Robb [mailto:[EMAIL PROTECTED]
> Sent: Friday, November 05, 2004 9:43 AM
> To: Pentax Discuss
> Subject: Re: USAF target and resolution tests
>
>
>
> ----- Original Message ----- 
> From: "J. C. O'Connell"
> Subject: RE: USAF target and resolution tests
>
>
>
> > What I was referring to about specialized films is
that super low
> > contrast films could have a greater DYNAMIC RANGE
than digital for
> > extremely contrasty scenes and super high contrast
films could have
> > a better amplitude
> > resolution (bit depth) for extremely low contrast
scenes than
> > digital.
>
> You'll need to come up with some facts before you
have credibility on
> this one. You are a self professed non user of high
quality digital
> imaging technology. What you are referring to may or
may not exist.
>
> OTOH, what does exist at the moment are digital
sensors (the istD has
> one of these) with an 11 stop range.
> See
> http://www.normankoren.com/digital_tonality.html
> for an explanation.
> Even the widest range colour film on the market
today would be hard
> pressed to come up with an 11 stop dynamic range, I
believe 9 stops
> is closer to the present state of the art.
>
> Digital will, of course, get better as the
technology evolves. Film is
> dead in the water from a technological evolution
standpoint.
>
> William Robb
>
>





                
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