> 
> From: Jack Davis <[EMAIL PROTECTED]>
> Date: 2005/08/26 Fri PM 01:38:04 GMT
> To: pentax-discuss@pdml.net
> Subject: Re: The Nature of Film's Final Throes
> 
> Mark, any idea why the "inkjet" chemist person was,
> seemingly, pessimistic?
> 
> Jack 

For all the extra shooting most digitalista do, most of them print far less 
than they did when they used analogue.

mike

> 
> --- Mark Roberts <[EMAIL PROTECTED]> wrote:
> 
> > mike wilson <[EMAIL PROTECTED]> wrote:
> > 
> > >> From: Bob Shell <[EMAIL PROTECTED]>
> > >> 
> > >> This news story is interesting in that it refers
> > to Kodak's digital 
> > >> business as expanding.  I'm not sure that's
> > accurate.  The only digital 
> > >> cameras that Kodak was actually building were
> > their pro cameras, and 
> > >> they recently discontinued their whole pro line
> > of cameras and digital 
> > >> camera backs.  Their point and shoot cameras are
> > just rebadged products 
> > >> from the Far East.  Yes, Kodak does make CCD
> > imaging chips, but I don't 
> > >> know of any cameras using them, and they can't be
> > selling them in any 
> > >> volume.  Kodak has been floundering in its
> > attempts to go digital.
> > >
> > >Maybe it's talking about the sales of consumer
> > inkjets and paper.  I would 
> > >take that with a healthy dose of skepticism, too.
> > 
> > When I was in Rochester last weekend I checked in
> > with my friends who
> > work at Kodak. The ones who work in the division
> > that makes imaging
> > chips seemed fairly optimistic but everyone else was
> > absolutely gloomy.
> > 
> > I know a chemist who works on inkjet papers and
> > related stuff and he
> > didn't seem optimistic about the way things were
> > going at all.
> > 
> > >> The only thing I know of that might keep ordinary
> > color negative film 
> > >> in production is that in a number of states
> > digital images are not 
> > >> allowed as forensic evidence, but I expect that
> > will change over time.  
> > 
> > I wonder what states don't allow it now? My SO is a
> > pathologist who
> > occasionally serves as an expert witness in court.
> > In New York State
> > they don't even ask how the image was made. Our
> > forensic pathologist
> > friend in North Carolina does his photography
> > exclusively digitally now.
> > 
> > >> And, so long as motion picture companies shoot on
> > film there will be a 
> > >> demand for those types of film.  But that market
> > is also going digital.
> > >> 
> > >> I don't see a future for film as a consumer item.
> >  The days when you 
> > >> can go into a drugstore or Wally-Mart and pick up
> > a few rolls of film 
> > >> are definitely numbered.
> > >> 
> > >> As a specialty item for fine art photographers,
> > black and white film 
> > >> should be around for some time, but will become
> > increasingly expensive.
> > 
> > From the art shows at which I've sold prints I've
> > noticed that,
> > regardless of what the final print looks like (and I
> > expect inkjets will
> > catch up with wet prints before long), people like
> > knowing (and being
> > able to tell their friends) that the print hanging
> > on their wall is a
> > "silver gelatin" photographic print made in a real
> > darkroom. This seems
> > to apply only to black & white prints. 
> > 
> > Well, as long as they buy the print I'm not picky...
> >  
> >  
> > -- 
> > Mark Roberts
> > Photography and writing
> > www.robertstech.com
> > 
> > 
> 
> 
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