This may be a naive question, but why do you change to the Leica when the lighting is extremely bad at concerts? What I have noticed is that my DS has problems when the light is very red. Is this what you refer to when saying this, and does the Leica Fuji press handle this differently?
Tim Mostly harmless (just plain Norwegian) Never underestimate the power of stupidity in large crowds (Very freely after Arthur C. Clarke, or some other clever guy) > -----Original Message----- > From: herb greenslade [mailto:[EMAIL PROTECTED] > Sent: 22. mars 2006 17:48 > To: Pentax User's group > Subject: Re: How do you select your camera for the day? was: OT: Non- > Pentax eBay Auction Question > > Hi > > I have 4 cameras, a Leica, an LX, a Z1p and my new *istDS. I shoot a lot > of club activity and for that I use the Leica with Ilford 3200 > film, I also have taken along my LX with Fuji Press 800 film. I usually > shoot a roll of each during a set. > > Most recently I have been experimenting with the *istDS. At first I was > using it during sound checks, but now I have been shooting > shows that, for me, have the least importance. If the lighting is > extremely bad, I'll switch to the Leica and film. > > I continue to take the LX, and Z1p on outdoor landscape and architecture > excursions, but since I have had the *istDS, I have used > almost nothing else. > > I can't recall how many times I've dragged along all my camera equipment, > but one holiday, I used almost exclusively my Palm Zire71. > I guess this is what finally converted me to look towards digital. :-) > > herb > > > >
