On Jun 28, 2006, at 8:24 AM, Kostas Kavoussanakis wrote:

>> You do the same thing with a digital image in JPEG capture by
>> adjusting the camera settings.
>
> Thanks for the explanation Godfrey (and for the news re RAW, Paul).
> The above is the point I am making. It's horses for courses, but I
> don't (want to) do any of that; I just go to the same lab all the
> time and, as far as I can tell, the prints are conistent batch after
> batch after batch.

Then just take pictures in JPEG format at the default settings and  
allow a print service to alter them for a pleasing print.

Personally, I never like to have a lab change my settings ... I give  
them fully rendered, calibrated, color managed photographs to print.  
If you are not critical to that level, they'll do what they do for  
your film work with digital images.

> ... do you have an updated
> projection for the end of mainstream film? Anyone?

It's already happened in this area. I know the managers at most of  
the local photofinishers. They tell me that prints from digital  
cameras is already 70-80% of their business. Two of the salesmen at  
the largest camera shop in the area told me that their sales of new  
film cameras across the board is barely 5% of what they sell now.

Godfrey

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