Sac> Please, if you would, explain "action"?

Hi Mafud,
   no need to be confused. Perhaps I chose a wrong word (happens when
   English is not my mother tongue). The setup I
   had in mind was simply (I think I mentioned it in the earlier
   posts) two flashes, one on bracket one on camera or bracket but
   other side, still handholdable, maybe one bounced one fill-in,
   maybe one held offcamera in other hand (to avoid direct lighting) while the second 
flash is on camera
   for fill-in.

   Type of pictures - portraits on location, "reportage" (not exactly
   the word I would use here) of banquets or parties, generally people
   shots out of studio where there is not enough light (of course, for
   me, an "available-dark" photographer by hobby, there is never not
   enough light! But clients (how strange <g>) don't like rugby-sized grain,
   contrast so high & sharp you can cut bread with it, "atmospheric"
   blurring due to camera shake and simpy don't appretiate the
   darkroom magic that lets me shoot Ilford HP5+ 400 pushed to 3200
   and get very nice results (btw, I will scan a print I have made
   from this neg, you almost can't tell its a 3 stop push!). They want
   colour :(

   And why I used the word "action" - this multiflash setup (with one removed
   one close to camera) is often used in many urban sports
   photography, like skateboarding and similar.

   Although I love available light, there are shots I do with flash,
   just to be sure they will turn out usable everytime. I hate frontal
   flash, so I use my flash off-camera, held about 1m removed to the
   left and above via Metz 307A cable (or held by my pretty asisstant <g>). This
   gives me much more natural looking photos than frontal or even bounced
   flash, but I still need some fill-in light source. And I don't have
   enough pretty girlfriends to have one hold the flash, the other
   hold an umbrella over it and the third hold a large white styrofoam
   plate to fill-in harsh shadows, while the fourth... enough!

   Frantisek (who most often just holds flash with one hand, holds
   camera with the other hand and hopes the camera will autofocus well
   enough, while wishing for a third hand to focus/zoom with). It
   looks funny - like the old time photographers with head under the
   largeformat focusing hood of their 5x7" or larger camera, holding
   with one hand above the camera a bracket with flashpowder...



Best regards,
   Frantisek Vlcek
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