Yes, I remember Tri-X at ISO 400.  All I could afford as a 15 year old
kid and I developed it all myself.  Interesting that Boris suggest
that a good rule of thumb is EV down from the max ISO.  So that puts
the K7 at 1600 and the Kx at 3200.  I found an interesting article at
http://www.imaging-resource.com/PRODS/K7/K7A.HTM  .  It's a K7 review
but has many samples of images at high iso on different cameras, one
of which was the E-P1.  It appears that the E-P1 has better high ISO
detailing than the K7, although a lot of this is judgement.

On Wed, Sep 1, 2010 at 11:16 AM, Paul Sorenson <allarou...@earthlink.net> wrote:
>  It is kind of mind boggling.  When I got my first SLR in the early 1960s
> High Speed Ektachrome, at ASA 160, was a big step up in speed. :-)
>
> On 9/1/2010 9:53 AM, Steven Desjardins wrote:
>>
>> I freely admit that I don't think I am really understanding the
>> implications of ISO 12,800.   It's like a person being 20 ft. tall.
>> My mind has trouble associating that number with that property.  I
>> noticed that one high end Nikon had a max sensitivity of 102,400.
>> That's like trying to grasp an f0.1 aperture.  It makes mathematical
>> sense in terms of EVs but I never thought I would see such a thing.
>>
>> On Wed, Sep 1, 2010 at 12:25 AM, Paul Sorenson<allarou...@earthlink.net>
>>  wrote:
>>>
>>>  Here's another K-X example if you need low light capabilities.  Pretty
>>> much
>>> a straight import into LR3 - at ISO 12,800.  The noise isn't
>>> objectionable
>>> at normal viewing.  (K-X, fa80-...@320mm,1/1...@f5.6)
>>>
>>> http://www.studio1941.com/photos/content/IMGP0631_large.html
>>>
>>> -p
>>>
>>> On 8/31/2010 1:34 PM, Bruce Dayton wrote:
>>>>
>>>> One big difference for me was that with the K20 and earlier I really had
>>>> to have good conditions (lighting, processing, etc) to make a high
>>>> ISO shot reasonable.  For instance, when shooting weddings I could
>>>> take a couple of shots with the 50/1.4 lens close to wide open and no
>>>> flash, then process to remove ugly color cast and grain, etc.  The
>>>> resulting image would possibly even need to be turned to B&W.
>>>> Basically, this meant that the shot was not the norm, but the
>>>> exception.
>>>>
>>>> With the K-x, it is totally changed.  Straight out of the camera, ISO
>>>> 6400 is looking quite good - no extra work.  So now I have shot
>>>> entire receptions with no flash and no heavy post processing.  Even
>>>> more so, simple snaps of the family in situations where I would have
>>>> used a flash in the past, I no longer need to.  Gathered around the
>>>> dinner table talking in the evening or playing a game or one of the
>>>> kids receiving an award at school, etc.  The ability to shoot
>>>> consistently at high ISO (1600+) is a real game changer.
>>>>
>>>> ISO 6400, 85mm Soft Focus lens, no post processing, shot right after
>>>> dinner:
>>>> http://www.daytonphoto.com/PAW/imgp1200-1.htm
>>>>
>>>> I would never have thought to take that kind of shot in the past.
>>>>
>>>>
>>>> That is why I am saying to try the K-x and really see how different
>>>> you start shooting and thinking.  When I got mine, it was only to
>>>> shoot a gymnastics sporting event - that covered the cost for me.  It
>>>> turned out to be just the tip of the iceberg.
>>>>
>>>> Here is a shot from a reception - fairly dim lighting - ISO 6400 -
>>>> pretty much no post processing:
>>>> http://www.daytonphoto.com/PAW/hoffman_00295.htm
>>>>
>>>> With flash, the shot would not be the same.  This is the kind of
>>>> thing I am talking about.  Not really thinking about how you shoot
>>>> today, but really thinking outside of the box.  For me, the K-x was
>>>> really a game changer in thought process and fun.  Prior to that,
>>>> pretty much the old thought process all the way back into my film
>>>> days.
>>>>
>>>> "If you always do what you've always done, you'll always get what
>>>> you've always got."
>>>>
>>>> Time to change it up and see what this Brave New World is offering.
>>>>
>>>>
>>>>
>>>>
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>>>
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-- 
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