Whatever...

I put Tri-X in my camera.  I set the film speed dial to 1600.  I tell the boys at the 
lab that I pushed it two stops.  I get it back, and it looks pretty (not my pictures, 
but the exposure, anyway!).

That's all I need to know!   ;-)

regards,
frank

[EMAIL PROTECTED] wrote:

> >I do not recognize the legitimacy
> of the term "push processing", because of the implication that
> goes along with the term that somehow we are getting a film
> speed increase.
>
> William,
>
> I suppose I understand most of what you're saying. However, I've never been under 
>the impression that "pushing" film in developing is a speed increase and honestly I 
>doubt most folks believe this or misinterpret the idea that grossly. Of course, I 
>don't work in a lab so I have no idea what the casual "john q" photographer believes 
>about the process of developing but as I say I've never come across anyone familiar 
>with "push" that thinks they are somehow getting more inherent "speed" from their 
>film (somehow "magically" in the development stage).
>
> My question was more direct than theoretical. Perhaps I should have said, "what does 
>this 800 speed film look like rated at 1600, developed normally or left in the soup a 
>bit longer."
>
> Brendan MacRae
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"The optimist thinks this is the best of all possible worlds. The pessimist fears it 
is true." -J. Robert
Oppenheimer
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