That's only part of the equation, IMO. Constant agitation can produce some nice results (although I'm only familiar with results from the Jobo system, and don't know much about it's workings or how different it may be from other systems). In this case I think there are issues of developer dilution, temperature, timing, and proper exposure, too. I'm not sure what Kodak suggests for constant agitation, but JCO might benefit from some expert opinions from people who have been using this film with constant agitation. There are numerous places on the net where good, qualified information can be had, one of which I forgot to include in the original post.
http://greenspun.com/bboard/q-and-a.tcl?topic=B%26W%20Photo%20%2d%20Film%20%26%20Processing Paul Stenquist wrote: > > Shel Belinkoff wrote: > > > highlights are burnt out and blocked, shadow detail is > > almost nonexistent .. > > I think the high contrast may be the result of contant agitation. > Paul --- Shel Belinkoff mailto:[EMAIL PROTECTED] http://home.earthlink.net/~belinkoff/ You can't have everything. Where would you put it? - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
