If you can pull-off that one, I agree, it would improve the shot -a
brighter bottom would feel more balanced methinks. I feel that trying
that in post might end up looking artificial though.

On Mon, Sep 12, 2011 at 11:55 AM, Stan Halpin
<s...@stans-photography.info> wrote:
> Thanks Fernando. I agree, I think you would look good printed big!
>
> Color theory is one of those topics that I can understand but fail to grasp 
> in any detail. Your description is useful.
> I could fiddle with postprocessing but what I would like to do is to 
> replicate this shot tonight with just a bit more sunset glow on the corn in 
> the foreground, but with the lighting/color about the same in the upper 
> portions. We'll see . . .
>
> stan
>
> On Sep 12, 2011, at 11:35 AM, Fernando wrote:
>
>> I like the moon one. I would look great printed big, I think.
>>
>> It caught my attention, because I'm reading some stuff on colour
>> theory -to see if I can improve my colour photography- and the
>> yellow-orange of the moon contrasts well with the violet colour of the
>> sky -opposites in the colour wheel:
>> http://www.tigercolor.com/color-lab/color-theory/color-harmonies.htm
>>
>> and the amount of colour on the yellow moon and the sky is somewhat
>> balanced as you have a lot of violet in the sky vs small amount in the
>> moon (Yellow = 9 / Orange = 8 vs Violet = 3)
>> http://www.framedreality.com/color-in-photography-color-theory
>>
>> and that explains why my eyes go first to the moon, then down to the
>> crops in the bottom, and finish on the barn. It also has a nice
>> calming mood to it.
>>
>> Anyways, what I meant to say is that I like it.
>>
>>
>> On Mon, Sep 12, 2011 at 12:17 AM, Stan Halpin
>> <s...@stans-photography.info> wrote:
>>> That undergrowth be mature corn. Over the which I was not tall enough to 
>>> see.
>>>
>>> We (my neighbor and I) chose the site because of the barn. We wanted a long 
>>> view, over a field, something interesting (like the barn) mid-distance, 
>>> with the moon low in the sky. But we miscalculated a bit plus there was 
>>> low-lying haze on the horizon. The sun didn't set until well after the moon 
>>> rose, by the time the moon looked like a moon rather than a white blob, it 
>>> was too high in the sky to be able to make the barn a more prominent 
>>> element. We'll go back tomorrow, the sun sets a few minutes earlier, the 
>>> moon rises 20 minutes later, and we have a better feel for the angles now.
>>> Back to the undergrowth/corn: I have many shots taken from a few feet to 
>>> the left, a point which allows me to look along the roadside edge of the 
>>> corn field. And some from a bit further back, higher on the crown of the 
>>> road we were on. I felt that this one that used the corn field as the 
>>> foreground was less cluttered and allowed the focus to be on the barn and 
>>> moon.
>>>
>>> Thanks for looking Jack!
>>>
>>> stan
>>>
>>>
>>> On Sep 11, 2011, at 10:32 PM, Jack Davis wrote:
>>>
>>>> Really well done exposure balance. If only the barn were somewhat more 
>>>> prominent. The undergrowth gets in the way, but my guess is it's 
>>>> considered needed to obstruct some unwanted feature(s).(?)
>>>>
>>>> Jack
>>>>
>>>>
>>>> ----- Original Message -----
>>>> From: Stan Halpin <s...@stans-photography.info>
>>>> To: Pentax-Discuss Mail List <PDML@pdml.net>
>>>> Cc:
>>>> Sent: Sunday, September 11, 2011 6:40 PM
>>>> Subject: PESO: Harvest Moon
>>>>
>>>> From earlier this evening:  http://smhalpin.posterous.com/harvest-moon
>>>>
>>>> The previous two entries in the blog include a color and a B&W version of 
>>>> an egret. Comments on any or all are welcome.
>>>>
>>>> stan
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>>
>>
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>>
>> http://www.flickr.com/photos/ferand/
>>
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