> From: Rob Studdert <distudio.p...@gmail.com> Hi Rob, Mark, Paul, et al,
Stan nicely elaborated on what I was trying to say last night. There's absolutely nothing wrong with taking tons of shots to capture the exact moment(s). With a dynamic moving subject that's clearly desirable, if not a necessity. I hope that was clear to all by my responses on the subject, and that I was addressing the subject of getting good shots in a more generic sense. As Stan summed up, quality vs. quantity. And of course quantity if the subject dictates. Tom C. > > I shoot a lot of shows along side other photographers, sometimes I > shoot more than them, sometimes less but generally the feedback I get > from artists is complementary with relation to my ability to capture > their most meaningful facial expressions. My images are sometimes > technically better than others but all the technical stuff aside the > absolute differentiator is timing, and sometimes you just need to > shoot the hell out of a subject in order to capture the perfect > expression. That said I rarely set my drive mode to continuous but the > shutter still seems to become pretty rapid fire when the action > demands. > > On 31 October 2013 10:50, Mark Roberts <postmas...@robertstech.com> wrote: >> Paul Stenquist wrote: >> >>>On Oct 30, 2013, at 4:37 PM, Mark Roberts <postmas...@robertstech.com> wrote: >>>> >>>> BTW: In the case of fashion photographers the answer to why they take >>>> so many shots is often "because that's what the editors demand". Some >>>> will totally decompensate if they don't have thousands of images, with >>>> the slightest variation between any two, to choose from. If you're a >>>> working pro you have to deliver what the client wants (unless you're >>>> one of a handful of elites who can dictate to editors what you're >>>> going to give them). >>> >>>To that add that trying to get a model to strike that perfect pose with the >>>perfect expression is extremely difficult. So you have them try different >>>things and you keep snapping away. You simply can't get it in a reasonable >>>number of shots with most models. >> >> Yep. At the college where I teach we have a bi-annual student-produced >> fashion magazine. On Tuesday at our Graphic Design club meeting were >> going through possible cover photos. Probably a thousand of them. The >> difference a small change in pose can make is astonishing. >> >> >> -- >> Mark Roberts - Photography & Multimedia >> www.robertstech.com ************* -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
