I'm with Jerry. I admit I don't "get it" when b&w shooters dismiss color as a lesser 
form of photography. They have fits when Ted Turner colorizes an old movie, claiming 
it's untrue to the original intent. Would they be just as indignant if a color movie 
were shown in black and white? Where are their protests when a color photo is 
reprinted in black and white?

Nowadays, when a major movie is made in black and white (e.g., Schindler's List, 
Manhattan), the director is making a statement. In the 1930s and 1940s, the decision 
was more often than not made for budgetary reasons. 

Jerry wrote:

> Except for > certain limited individuals life is in color, why is B/W automatically 
>better...generally?  Why should I let an artificial limitation on film type drive my 
>creative instincts?  Did Dali paint only in B/W? 

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