I don't think his question was whether it was art, but whether it was 
photography.  Probably in much the same way was whether a collage that a second 
grade makes of pictures cut from a magazine is photography.

On February 23, 2015 12:16:57 AM PST, Bob W-PDML <p...@web-options.com> wrote:
>The word is giclée and it's not made up, it's French. It means a jet of
>liquid which squirts out of something. It's also used of a burst of
>machine-gun fire.
>
>Like Lik and Vettriano and others, you seem to misunderstand
>fundamentally what matters to the art world. Rhine II is not supposed
>to be representative of what was in front of the camera.
>
>B
>
>
>
>> On 23 Feb 2015, at 02:26, P.J. Alling <webstertwenty...@gmail.com>
>wrote:
>> 
>> Oh, no I'm not saying that.  I can't remember where I read this but
>there was an on line article about Rhine II showing the original scene.
>There wasn't just one ugly factory removed by Photoshopery, but the
>entire horizon of ugly factories was removed.  When I say heavily
>Photoshopped I mean it, when that much retouching is involved, you're
>no longer working with a photograph per se, but some other kind of
>digital artwork. I've removed entire tourists from images I've shown,
>the difference being that I didn't fundamentally change the  actual
>scene, just a movable element that moved into frame that I didn't
>notice.  The only way the scene that Rhine II is supposed to represent,
>could exist, would be with judicious applications of high explosives
>and heavy machinery to remove the debris.
>> 
>> Gileec is a made up word to give inkjet images the imprimatur of an
>Art technique as calling them inkjet images simply confuses the rubes
>or is it the other way around...
>> 
>> I remember the first time I was asked if one of my exhibited images
>was a Giléec*, at the time I didn't honestly know...
>> 
>> *Strangely the first e is supposed to have an acute accent over it
>but the Windows Character Map utility doesn't seem to have that
>character I had to steal it from Wikapedia and it may not display
>properly on other peoples systems...
>> 
>> 
>> 
>>> On 2/22/2015 7:59 PM, Bruce Walker wrote:
>>> Not that I disagree with the bulk of your sentiments here -- I said
>>> much the same to my wife at dinner about admiring the guy's
>marketing
>>> skills -- but you appear to be stating that "photographs"
>effectively
>>> cease to exist once chemicals and negatives are out of the loop. An
>>> idea I vehemently disagree with.
>>> 
>>> DSLRs, software and inkjet prints are all part of the new photograpy
>>> and thus produce photographs.
>>> 
>>> 
>>>> On Sun, Feb 22, 2015 at 6:52 PM, P.J. Alling
><webstertwenty...@gmail.com> wrote:
>>>> The quote from the London Gallery owner is pretty telling, not so
>much about
>>>> Lik, but certianly about the Art photography marked.  Let's see,
>Rhine II,
>>>> wasn't exactly a photograph, it was a heavily Photoshopped inkjet,
>(Oh, I'm
>>>> sorry, perhaps I should have used the word Gilcee instead of
>inkjet), print.
>>>> Yet I'll bet that gallery owner didn't blink an eye when it sold
>for $1.3
>>>> million.  From what I've seen of Lik's work it doesn't require eye
>bleach,
>>>> (such as Thomas Kinkade's did).  It just seems that he's found a
>way to
>>>> legally separate money from rich people with more money than brains
>without
>>>> needing a middle man.  More power to him I say.
>>>> 
>>>> 
>>>>> On 2/22/2015 4:39 PM, Bruce Walker wrote:
>>>>> So is Lik's work resellable for a lot of money? Apparently, not so
>much.
>>>>> 
>>>>> 
>>>>>
>http://www.nytimes.com/2015/02/22/business/peter-liks-recipe-for-success-sell-prints-print-money.html
>>>>> 
>>>> 
>>>> --
>>>> I don't want to achieve immortality through my work; I want to
>achieve
>>>> immortality through not dying.
>>>> -- Woody Allen
>>>> 
>>>> 
>>>> 
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>> 
>> 
>> -- 
>> I don't want to achieve immortality through my work; I want to
>achieve immortality through not dying.
>> -- Woody Allen
>> 
>> 
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