You can't forget what you never even knew, John. But after Googling
it, I agree with others who called that Pentax panorama function
"pathetic". It makes my point: That simply cropping an image to a wide
aspect ratio does not make it panoramic (regardless of what the
marketing department tells you). It is rather easy to tell a true film
panorama camera:
Is the resulting negative (not print) longer than the standard? For
35mm, that means the negative should be longer than 36mm.

Pentax pz1-p: No -  It's panorama "function" is similar to the
Ansco Pix Panorama: No
http://www.lomography.com/magazine/282165-lomopedia-ansco-pix-panorama
Hasselblad Xpan: Yes (24x65mm)

Now if I was going to argue against myself... I would say that a Fuji
G617 is really just a 5x7 view camera with a fixed lens (105mm) and
one that uses 120 film instead of 5x7 sheet film. The film plane is
flat (not curved) so the film is doing the same thing that a set of
masks would do on a sheet of 5x7 film (without wasting the film). Or a
crop of the print (or digital image) would be equivalent. You would
get the same effect by putting 35mm film in a Pentax 67 or 110 film in
a 35mm film camera (yes, that has been done:
http://www.popphoto.com/how-to/2013/05/how-to-hack-two-rolls-110-film-35mm-spool
). So the Ansco/Pentax pZ1-p masking method is just as valid, except
it doesn't save any film... just fails to expose it.

I'm glad I brought it up, if for no other reason than I don't want a
Fuji g/gx617 as I once did, after thinking this through.

On Tue, Apr 14, 2015 at 12:55 AM, John <sesso...@earthlink.net> wrote:
> You've apparently forgotten what the trailing 'p' in the PZ-1p stands for.
>
>
> On 4/14/2015 12:01 AM, Darren Addy wrote:
>>
>> It's a nice gallery with many wonderful images but, at the risk of
>> being pedantic, I must say that I feel that a large percentage of them
>> are not panoramas (if we are using the term in the traditional
>> photographic sense and not simply as a synomym of "a vista". A true
>> panorama results in a wide aspect ratio, but a wide aspect ratio does
>> not necessarily make a panorama. A panorama is created in one of two
>> ways:
>> 1) by stitching together two or more exposures (ideally made by
>> pivoting around the lenses nodal point) that results a a Field of View
>> wider than would have been possible with a wide lens on the normal
>> film/sensor format.
>> 2) by the use of a lens with the Field of View (and image circle) of a
>> larger format, used on a smaller format film/sensor. (As in a 5x7 film
>> capable 90mm lens being used in conjunction with a 120 film format in
>> the Fuji G617/GX617. Another example might be a strip of 35mm film
>> exposed in 6x7 camera with a 6x7 lens.
>>
>> Shooting in true panorama fashion can be a real challenge, both in the
>> taking and the making of the image. Not so with merely cropping a
>> traditional image into a panorama-imitating aspect ratio. Perhaps I
>> was reading too much into the theme of "Panorama" and thus my
>> expectations are out of line. If so, I apologize. But I have a real
>> appreciation for real panoramas, and I was let down by a significant
>> percentage of the images in this gallery. That being said, I made no
>> submission myself, feeling that I had not made a true panorama in
>> quite a while.
>>
>> All of that being said, my favorite images were Ken Waller's "Denali
>> Falls" (the only vertical image of the entire gallery and an image
>> that reminds me of one I took while hiking as a lad in Washington's
>> Olympia National Rainforest) and David Mann's "Wet Feet", which is
>> near perfection (and by "near" I mean "I wonder if the use of a
>> polarizing filter might have made it just a wee bit closer to
>> perfection"). Lovely images, everyone!
>>
>
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>
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