On Oct 26, 2018, at 8:29 AM, Steve Cottrell <co...@seeingeye.tv> wrote:
> 
> On 25/10/18, Mark Roberts, discombobulated, unleashed:
> 
>> I agree about the "advance" lever. That kind of tat is beneath Leica
>> (or should be).
>> 
>> I also notice: Unlike the  PIXII, the M10-D does accept standard
>> memory cards. And it uses DNG as its native raw format.
>> 
>> This is officially the first leica that's ever interested me.
> 
> Worth a gllmpse of Kai Wong trying it out...
> 
> <https://www.youtube.com/watch?v=z-u3AoSV5e4>

Kao is always reasonably entertaining, and it's good to see him enjoying a 
Leica M. He does get into a bit overmuch on the Focusing stuff ... most M users 
in good light like that will set f8 and the zone they want and not touch the 
focus at all unless they move in or want a broader distance view. 

The other minor but significant thing I notice in all these reviews is that 
they always say the camera is trying to be a "analog" ... aka "film" ... camera 
in feel and use, even Leica themself does that. 

I think the notion is too broad. Film or digital is irrelevant: I want my Leica 
M to feel and work like a Leica M always did. That's much more specific and 
concrete. It's not how my Nikon F felt and works, nor my Rolleiflex EX, etc. A 
Leica M from 1953 to the first Leica digital M always felt pretty much the 
same. The M8 and M9 series lost a lot of the responsiveness, regained in the 
typ 240 going forward. All the digital models but for the M Edition 60, the 
M-D, and this new M10-D have a different feel because of the LCD and all the 
buttons on the back that my fingers have to work their way around: these three 
models, with those unnecessary bits absent, now feel like a Leica M always did, 
to me.

The thumb rest? Ach: never used a film wind lever like that to begin with. If I 
happen to buy this camera, I'll remove it. :-)

G
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