William Robb > Here is where it matters, and is something that would probably > not occur to non professional print film users. > > If one is shooting a job on chrome film and has a mish mosh of > lenses from different manufacturers, then it will be impossible > to get a consistent look. Art directors have a funny way of > noticing little things like changes in colour rendition. > I found this to be such an issue that I changed from Nikon to > Pentax, partly to get similar rendition between my medium format > and 35mm work.
Very true. This is one of the reasons I've sold off all but two of my non-Pentax lenses. I'm keeping the Tokina 28-70/2.6-2.8 partly because of Pål's warning of the fragility of the Pentax 28-70 and partly because I like being able to share 77mm filters with my FA*80-200/2.8. If Pentax replaces their present 28-70/2.8 I'll be most interested. -- Mark Roberts www.robertstech.com - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
