I really like the first one, high20.jpg.  Something about the tones and
"focus", especially around the guitar, is very appealing.
 

Steven Desjardins
Department of Chemistry
Washington and Lee University
Lexington, VA 24450
(540) 458-8873
FAX: (540) 458-8878
[EMAIL PROTECTED]

>>> [EMAIL PROTECTED] 08/02/02 04:02PM >>>
In a message dated 8/2/2002 7:17:42 AM Pacific Daylight Time, 
[EMAIL PROTECTED] writes:


>  I did the old trick of leaving the LX on 1/2000 for half a 
> roll of Delta 3200 DOH!
> 

UGH! I've done this myself!

Rob, I totally sympathize with your plight here. It's a tricky
environment to 
shoot in. I've been doing a lot of shooting of bands lately and it's 
definately a harrowing experience. I have had good luck simply pushing
800 
color neg and, of course, pushing Tri-X.

Here's a couple I got recently of a group in San Francisco. These were
taken 
with the LX (with the SC-69), 85mm f1.4, on consumer 800 rated 1600 and

pushed. I didn't use any color correction:

http://www.members.aol.com/bmacrae/high20.jpg 
http://www.members.aol.com/bmacrae/high202.jpg 
http://www.members.aol.com/bmacrae/high204.jpg 

Here's one on Tri-X pushed one stop:

http://www.members.aol.com/bmacrae/high203.jpg 

I was able to get some fairly quick speeds out of the LX (1/125?) as I
recall 
that night. Most of the shots were wide open on aperture-priority. It
appears 
as though your group didn't have nearly the same amount of light on
them. I 
was lucky enough to put the word out that I needed more light so the
guy I 
knew in the band had the tech leave the house lights at 50% for the
whole 
show. This made all the difference. That allowed me to go from a 1/8 to
a 
1/30 at center stage. I figured as long as they don't jump around too
much 
I'd be OK. I still managed to shoot mostly at 1/60 sec or slightly
faster as 
the lights changed throughout the show.

Next time I'm going to try the Portra 800 rated at 1600 and process it

normally and allow the film's lattitude to take care of the -1
exposure.

-Brendan MacRae
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