----- Original Message ----- From: "Guy Glorieux" <guy.glori...@sympatico.ca>
> Has anybody been to the Whitney Biennial and seen the work of Vera > Lutter? She presents two giant pinhole negative images. > > I'd be curious to hear about your reaction. But I'm also interested in > a very down-to-earth aspect of her presentation. How does she hang her > work? Since she presents paper negatives which are single copy, I > assume that she has ruled out anything that will alter the print (e.g. > lamination). Is it presented behind Plexiglas? >From what I could see they were attached to large stretched canvases. It didn't look like it was attached in a few places, but the whole image was glued (or whatever) completely to the canvas. The canvas was less than an inch larger on each side, very unobtrusive. I liked it alot. But I have a special distaste for mounting photographs behind anything shiny, like glass or plexi. The glare just drives me nuts.
