someone correct me if I am wrong here, but I cant recall which magazine it was, either View Camera, or Camera Arts , but there was an article done on Sally Mann's works , and I paraphrase here, but she used a 8X10 camera set up on cinder (concrete )blocks to hold the camera steady, used old soft portrait lenses that many of the old studios were discarding( Verito Professionals maybe (?) ) and if memory serves me , she toned her prints in a dilute mixture of brewed teas/coffees, to give the prints a sepia effect, anyone else recall this anecdote ?
- [pinhole-discussion] Fixer on the negative (Was Re: Sally ... Guy Glorieux
- Re: [pinhole-discussion] Fixer on the negative (Was R... DAlfrey
- Re: [pinhole-discussion] Fixer on the negative (Was R... DAlfrey
- Re: [pinhole-discussion] Fixer on the negative (Was R... B2MYOUNG
- Re: [pinhole-discussion] Fixer on the negative (W... Guy Glorieux
- Re: [pinhole-discussion] Fixer on the negative (Was R... GarfinkelDesign
- Re: [pinhole-discussion] Fixer on the negative (Was R... GarfinkelDesign
- Re: [pinhole-discussion] Fixer on the negative (Was R... GarfinkelDesign
- Re: [pinhole-discussion] Fixer on the negative (Was R... Brockhagen
- Re: [pinhole-discussion] Fixer on the negative (Was R... RObrien630