someone correct me if I am wrong here, but I cant recall which magazine it 
was, either View Camera, or Camera Arts , but there was an article done on 
Sally Mann's works , and I paraphrase here, but she used a 8X10 camera set up 
on cinder (concrete )blocks to hold the camera steady, used old soft  
portrait lenses that many of the old studios were discarding( Verito 
Professionals maybe (?) ) and if memory serves me , she toned her prints in a 
dilute mixture of brewed teas/coffees, to give the prints a sepia effect, 
anyone else recall this anecdote ? 

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