Hi JPR, Having spent last week tracking a session with more punch points per take than I could count on my fingers and toes, I can happily report that Pro Tools crossfading saved my ass time and time again. Once you're familiar with the commands to adjust selection in fine incraments (Kevin does a great job of showing this stuff off), selecting around punch points and/or regions to tidy up is efficient. In a fit of optimism, I selected an entire track and let the default fades do their thing... sounded fine with all but the messiest of punches. I did notice that by a few days in, I was tidying up more out of habit than necessity. I can't be sure whether that would've also been the case in Sonar, but I do remember being way more on the money with punches when I first moved over to Sonar and still not enjoying the results much if that helps.
Hth Scott On 6/29/11, Kevin Reeves <[email protected]> wrote: > Punching in Pro TOols is very smooth. However, crossfading in Pro TOols is > way easier than in sonar. So if you do get a pop, it's easy to correct it. > Also, nudging ends of regions is very simple, and does indeed reveal what is > underneath. > > Kevin
