That would be great, except that my mac's keyboard is all the way across the
room from where the mikes are being placed, and there's no way around that,
with the way my studio is setup.
Chris.
----- Original Message -----
From: Poppa Bear
To: ptaccess@googlegroups.com
Sent: Thursday, May 01, 2014 10:19 PM
Subject: Re: A few more advanced ProTools Questions
Chris, for quick punchins like this, I just make sure that under the options
that quick punch is checked and then play the section you want and when you get
to the area you want to start recording at, press 3 on the num pad and your on
live and then stop as soon as your done. That is my way most of the time.
----- Original Message -----
From: Christopher-Mark Gilland
To: ptaccess@googlegroups.com
Sent: Thursday, May 01, 2014 2:48 PM
Subject: A few more advanced ProTools Questions
OK, I do understand that there are quite a few questions here, but any help
would be appreciated with any of these.
First of all, I'd like to talk about punch in/punch outs. Sometimes, I'll
be recording a vocal track, be it lead, or backing, and I may hit a line a
little flat, or a little sharp. More times than not, flat. Sometimes, it's in
a part of the song which makes it very tricky to get kuh boom right on key with
no lead-in warning. Yeah, I totally get I could then just back up a ways and
record a little more than needed just for some wiggle room, but why do that if
the part right before sounds flawless? I don't want to chance ruinning a
perfectly good measure just to get the bar after it sounding good. That just
seems a little over kill. Yeah, I know about the playlist option in the edit
window on each track, and yes I know about comping. I confess I don't do it
much, but I think I'm gonna start getting myself more in the habbit of it. If
I want a pollished recording, then face it, sometimes you have to do the more
dirty tedious work, but in the long run, it's well worth it. Anyway, so what
I'd like to do is a punch in/out. This is just an example. It doesn't mean
it's the song I'm working with, but it's one that I know must people know, so
it'll make my point really well. Let's take the song Take it Easy by The
Eagles. I, natrually am really not a tennor. I kind of, ish, can do it, but
not real well. So let's take the chorus. Take it easy, take it easy! Don't
let the sound of your own words drive you crazy. Lighten up while you still
can. Let's say I'm in the key of G. This means on lighten up, when I hit that
C chord, my voice has to hit that G4. So, basically, the G above middle C.
For me, that's way stretching it! I can do it, but it's a major struggle.
Notice, I said struggle, I did not say strain. I'm not straining to hit it,
trust me. I can hit it, just not very full strength usually, at least not on
the first try. I usually have to do it a few times to warm/loosen up. So,
what I'm thinking is, if I had a way I could start playing the session right
where my vocals say Don't let the sound of your own words drive you crazy... I
could sing along with that part, not recording, then as soon as I get past
that, have the record engage automatically, let me then keep singing
seemlessly, lighten up while you still can, don't even try to understand, just
find a place to take your stand, and take it easy. After that, have the record
disengage all by itself. My mike isn't near enough to my workstation that I
can have my hands on the keyboard, nor is it easy for me to hit that line with
no prior warning to lead up to it. I just feel I need to easily work my way
into it. So yeah, if this can be done, please tell me literally step by step,
keystroke by keystroke what I'd hit to do it.
My second question is, let's say I'm doing a slow country song, and at the
very end, the last two or three bars need to be slower tempo, giving me a
ending retard kind of effect. If you wonder what I'm talking about, listen,
for instance to the end of Every Light in the House is on by Trace Adkins.
That's a perfect! example! So, I know in the event, tempo operations window,
how to go to constant, and set a constant BPM, but then, how do I have it do a
retard for me?
I'm almost done, just two more things. If I'm in say, 4/4 time, and all a
sudden, at the start of a bar, I need to switch time signatures without moving
the tempo, is there a way I can do that?
Finally, If I've inserted midi tracks into my session, and have their
output paths going to different xpand2 instrument tracks, is there then a way
that I could save that arrangement as a .mid midi file? I know it won't save
audio, and I know the samples in the xpand2 tracks wouldn't be saved as midi.
I'm perfectly aware of that. I know the whole thing about midi isn't sound. I
know it's just 1's and 0's, hince, why I'm routing their outputs to instrument
tracks. I just wonder if I could then take those midi tracks, assign the
correct GM patches to them like piano, guitar, base, drums on channel 10, etc.
then export them down where any midi player, even something simple as WinAmp on
Windows could then play the .mid file back with the correct patches in place,
and would sound decent.
Again, I'm sorry for all the questions, but again, I trust you all will
pitch in and help me out here a bit.
Chris.
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