he said high and low pass, not bypass. big difference.
At 08:27 PM 1/15/2015, you wrote:
How with the E Q 3 7 band plug do you bypass the lows and the highs
as you said to do?
Chris.
----- Original Message ----- From: "TheOreoMonster" <monkeypushe...@gmail.com>
To: <ptaccess@googlegroups.com>
Sent: Thursday, January 15, 2015 8:05 PM
Subject: Re: Update on my Plugin Automation problem, and a quick question
The reason this works is because the reverb is now running in
parallel. You have the full dry vocals and the fully wet vocals with
more granular control over signals. For even better results slap an
eq on that reverb send and high pass the lows and the highs. Set teh
High pass fliter between 200 to 500 hz, and the low pass filter to about 5k.
On Jan 15, 2015, at 1:04 PM, Christopher-Mark Gilland
<clgillan...@gmail.com> wrote:
Yeah, I didn't know if it had something to maybe do with a post vs.
pre fader thing or what not. You might be right, but I gather that
there might be a little bit more to it than just that.
Chris.
----- Original Message ----- From: "Daniel Contreras"
<daniel.c.9...@gmail.com>
To: <ptaccess@googlegroups.com>
Sent: Thursday, January 15, 2015 12:55 PM
Subject: Re: Update on my Plugin Automation problem, and a quick question
Chris,
Maybe since now that you have the entire vocal in the wet mix, it
lets the reverb process the vocal and it's entirety. But you still
maintain control via the output volume? That would be my guess.
Daniel Contreras
On Jan 15, 2015, at 11:40 AM, Christopher-Mark Gilland
<clgillan...@gmail.com> wrote:
Guys, never mind, as far as my automation problem goes. I got it
working. I see exactly! what I was doing wrong. I was correct in
my initial observation. You don't wanna change the parameters of
the plugin until you've first set your automation to write. I was
setting it while it was on read, then! was going and changing the
track to write, only after! I had changed the settings in
Auto-Tune. Then, after setting to write, I then was playing the
selection to be automated. That doesn't work, apparently. It
seems like, the correct order is:
1. Create your bypass automation.
2. Next, find the beginning and end marks where you want your
automation, and make your selection.
3. Make sure your automation window is set correctly with command+numpad 4.
4. This is where I went wrong. Now, instead of setting your
plugin configuration, then going to write, do it the other way
around. Go to write on the track, Then! change your plug settings.
5. Then! play your selectin through.
OK, so anyway, that's done. Now, here is my totally unrelated
question. I used to put my reverb for vocals on an insert of the
actual vocal track itself. Then, I'd set my wet mix on that
plugin, and be done with it. Now, what I am doing is, I'm using a
send on the vofal track/tracks, whichever is needed, and I'm
sending them out to a stereo auxiliary track. Then, on that
auxiliary track, I'm popping the reverb on an insert, then am
turning the wet mix all the way up as high as it will go.
Literally, I am maxing it totally out to 100%. Now, you're
probably now going Oh! Ow! Yikes? alive! Damn! Chris? Can you be
more stupid? Hold, on! I'm not done yet. No I'm not! Then, I
take the output volume fader of that auxiliary track, and I crank
it way, and did I mention, w'w'wayyyy! the hell down! Usually I
start around -16DB, and sometimes even lower than that. Then, I
start very very gradually riding that fader up. As I do, I
introduce more reverb into the mix. My question is, doing it this
way on a send, bumping that wet all the way up, then barely
barely! cranking that Aux fader, why is it, that that is giving
me, such! a nicer! sweeter and warmer sound! Oh my God, it's
incredible! I can't believe! the difference that made! The first
time I heard the effect of doing it that way, I was absolutely
breathtaken! So, what is the over all reason for this sounding so
much better! What is going on in the processing behind the scene
that makes this so much prettier?
Anyway, thank you all again for your help!
Chris.
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