in this case i’d use two instance of the 1 band or use like the 3 or 4 band 
version. less stuff to navigate through. Either way has i haven’t opened PT in 
forever  ( i live in Reaper these days) Maybe someone else on here can do a 
step by step as it relates to the PT stock eq’. Basic gist is you will want to 
set one of the bands to a high pass filter  set the gain to  cut a little, 
maybe about -3db. and then adjust the frequency for where it sounds best 
between 200hz and 500 hz. Then set another band to low pass filter, set the 
gain to a bout -3db again and play with the frequency to where it sounds best 
around 5khz. You can disable all other bands. 
On Jan 15, 2015, at 8:27 PM, Christopher-Mark Gilland <clgillan...@gmail.com> 
wrote:

> How with the E Q 3 7 band plug do you bypass the lows and the highs as you 
> said to do?
> 
> Chris.
> 
> ----- Original Message ----- From: "TheOreoMonster" <monkeypushe...@gmail.com>
> To: <ptaccess@googlegroups.com>
> Sent: Thursday, January 15, 2015 8:05 PM
> Subject: Re: Update on my Plugin Automation problem, and a quick question
> 
> 
> The reason this works is because the reverb is now running in parallel. You 
> have the full dry vocals and the fully wet vocals with more granular control 
> over signals.  For even better results slap an eq on that reverb send and 
> high pass the lows and the highs. Set teh High pass fliter between 200 to 500 
> hz, and the low pass filter to about 5k.
> 
> 
> On Jan 15, 2015, at 1:04 PM, Christopher-Mark Gilland <clgillan...@gmail.com> 
> wrote:
> 
>> Yeah, I didn't know if it had something to maybe do with a post vs. pre 
>> fader thing or what not. You might be right, but I gather that there might 
>> be a little bit more to it than just that.
>> 
>> Chris.
>> 
>> ----- Original Message ----- From: "Daniel Contreras" 
>> <daniel.c.9...@gmail.com>
>> To: <ptaccess@googlegroups.com>
>> Sent: Thursday, January 15, 2015 12:55 PM
>> Subject: Re: Update on my Plugin Automation problem, and a quick question
>> 
>> 
>> Chris,
>> Maybe since now that you have the entire vocal in the wet mix, it lets the 
>> reverb process the vocal and it's entirety. But you still maintain control 
>> via the output volume? That would be my guess.
>> 
>> Daniel Contreras
>> 
>>> On Jan 15, 2015, at 11:40 AM, Christopher-Mark Gilland 
>>> <clgillan...@gmail.com> wrote:
>>> 
>>> Guys, never mind, as far as my automation problem goes.  I got it working. 
>>> I see exactly! what I was doing wrong.  I was correct in my initial 
>>> observation.  You don't wanna change the parameters of the plugin until 
>>> you've first set your automation to write.  I was setting it while it was 
>>> on read, then! was going and changing the track to write, only after! I had 
>>> changed the settings in Auto-Tune.  Then, after setting to write, I then 
>>> was playing the selection to be automated.  That doesn't work, apparently.  
>>> It seems like, the correct order is:
>>> 
>>> 1.  Create your bypass automation.
>>> 
>>> 2.  Next, find the beginning and end marks where you want your automation, 
>>> and make your selection.
>>> 
>>> 3.  Make sure your automation window is set correctly with command+numpad 4.
>>> 
>>> 4.  This is where I went wrong.  Now, instead of setting your plugin 
>>> configuration, then going to write, do it the other way around.  Go to 
>>> write on the track, Then! change your plug settings.
>>> 
>>> 5.  Then! play your selectin through.
>>> 
>>> OK, so anyway, that's done.  Now, here is my totally unrelated question. I 
>>> used to put my reverb for vocals on an insert of the actual vocal track 
>>> itself.  Then, I'd set my wet mix on that plugin, and be done with it. Now, 
>>> what I am doing is, I'm using a send on the vofal track/tracks, whichever 
>>> is needed, and I'm sending them out to a stereo auxiliary track. Then, on 
>>> that auxiliary track, I'm popping the reverb on an insert, then am turning 
>>> the wet mix all the way up as high as it will go. Literally, I am maxing it 
>>> totally out to 100%.  Now, you're probably now going Oh!  Ow! Yikes? alive! 
>>> Damn! Chris?  Can you be more stupid?  Hold, on!  I'm not done yet.  No I'm 
>>> not!  Then, I take the output volume fader of that auxiliary track, and I 
>>> crank it way, and did I mention, w'w'wayyyy! the hell down!  Usually I 
>>> start around -16DB, and sometimes even lower than that.  Then, I start very 
>>> very gradually riding that fader up.  As I do, I introduce more reverb into 
>>> the mix.  My question is, doing it this way on a send, bumping that wet all 
>>> the way up, then barely barely! cranking that Aux fader, why is it, that 
>>> that is giving me, such! a nicer!  sweeter and warmer sound!  Oh my God, 
>>> it's incredible!  I can't believe! the difference that made!  The first 
>>> time I heard the effect of doing it that way, I was absolutely breathtaken! 
>>>  So, what is the over all reason for this sounding so much better!  What is 
>>> going on in the processing behind the scene that makes this so much 
>>> prettier?
>>> 
>>> Anyway, thank you all again for your help!
>>> 
>>> Chris.
>>> 
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