in this case i’d use two instance of the 1 band or use like the 3 or 4 band version. less stuff to navigate through. Either way has i haven’t opened PT in forever ( i live in Reaper these days) Maybe someone else on here can do a step by step as it relates to the PT stock eq’. Basic gist is you will want to set one of the bands to a high pass filter set the gain to cut a little, maybe about -3db. and then adjust the frequency for where it sounds best between 200hz and 500 hz. Then set another band to low pass filter, set the gain to a bout -3db again and play with the frequency to where it sounds best around 5khz. You can disable all other bands. On Jan 15, 2015, at 8:27 PM, Christopher-Mark Gilland <clgillan...@gmail.com> wrote:
> How with the E Q 3 7 band plug do you bypass the lows and the highs as you > said to do? > > Chris. > > ----- Original Message ----- From: "TheOreoMonster" <monkeypushe...@gmail.com> > To: <ptaccess@googlegroups.com> > Sent: Thursday, January 15, 2015 8:05 PM > Subject: Re: Update on my Plugin Automation problem, and a quick question > > > The reason this works is because the reverb is now running in parallel. You > have the full dry vocals and the fully wet vocals with more granular control > over signals. For even better results slap an eq on that reverb send and > high pass the lows and the highs. Set teh High pass fliter between 200 to 500 > hz, and the low pass filter to about 5k. > > > On Jan 15, 2015, at 1:04 PM, Christopher-Mark Gilland <clgillan...@gmail.com> > wrote: > >> Yeah, I didn't know if it had something to maybe do with a post vs. pre >> fader thing or what not. You might be right, but I gather that there might >> be a little bit more to it than just that. >> >> Chris. >> >> ----- Original Message ----- From: "Daniel Contreras" >> <daniel.c.9...@gmail.com> >> To: <ptaccess@googlegroups.com> >> Sent: Thursday, January 15, 2015 12:55 PM >> Subject: Re: Update on my Plugin Automation problem, and a quick question >> >> >> Chris, >> Maybe since now that you have the entire vocal in the wet mix, it lets the >> reverb process the vocal and it's entirety. But you still maintain control >> via the output volume? That would be my guess. >> >> Daniel Contreras >> >>> On Jan 15, 2015, at 11:40 AM, Christopher-Mark Gilland >>> <clgillan...@gmail.com> wrote: >>> >>> Guys, never mind, as far as my automation problem goes. I got it working. >>> I see exactly! what I was doing wrong. I was correct in my initial >>> observation. You don't wanna change the parameters of the plugin until >>> you've first set your automation to write. I was setting it while it was >>> on read, then! was going and changing the track to write, only after! I had >>> changed the settings in Auto-Tune. Then, after setting to write, I then >>> was playing the selection to be automated. That doesn't work, apparently. >>> It seems like, the correct order is: >>> >>> 1. Create your bypass automation. >>> >>> 2. Next, find the beginning and end marks where you want your automation, >>> and make your selection. >>> >>> 3. Make sure your automation window is set correctly with command+numpad 4. >>> >>> 4. This is where I went wrong. Now, instead of setting your plugin >>> configuration, then going to write, do it the other way around. Go to >>> write on the track, Then! change your plug settings. >>> >>> 5. Then! play your selectin through. >>> >>> OK, so anyway, that's done. Now, here is my totally unrelated question. I >>> used to put my reverb for vocals on an insert of the actual vocal track >>> itself. Then, I'd set my wet mix on that plugin, and be done with it. Now, >>> what I am doing is, I'm using a send on the vofal track/tracks, whichever >>> is needed, and I'm sending them out to a stereo auxiliary track. Then, on >>> that auxiliary track, I'm popping the reverb on an insert, then am turning >>> the wet mix all the way up as high as it will go. Literally, I am maxing it >>> totally out to 100%. Now, you're probably now going Oh! Ow! Yikes? alive! >>> Damn! Chris? Can you be more stupid? Hold, on! I'm not done yet. No I'm >>> not! Then, I take the output volume fader of that auxiliary track, and I >>> crank it way, and did I mention, w'w'wayyyy! the hell down! Usually I >>> start around -16DB, and sometimes even lower than that. Then, I start very >>> very gradually riding that fader up. As I do, I introduce more reverb into >>> the mix. My question is, doing it this way on a send, bumping that wet all >>> the way up, then barely barely! cranking that Aux fader, why is it, that >>> that is giving me, such! a nicer! sweeter and warmer sound! Oh my God, >>> it's incredible! I can't believe! the difference that made! The first >>> time I heard the effect of doing it that way, I was absolutely breathtaken! >>> So, what is the over all reason for this sounding so much better! What is >>> going on in the processing behind the scene that makes this so much >>> prettier? >>> >>> Anyway, thank you all again for your help! >>> >>> Chris. >>> >>> -- >>> You received this message because you are subscribed to the Google Groups >>> "Pro Tools Accessibility" group. >>> To unsubscribe from this group and stop receiving emails from it, send an >>> email to ptaccess+unsubscr...@googlegroups.com. >>> For more options, visit https://groups.google.com/d/optout. >> >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. >> -- >> You received this message because you are subscribed to the Google Groups >> "Pro Tools Accessibility" group. >> To unsubscribe from this group and stop receiving emails from it, send an >> email to ptaccess+unsubscr...@googlegroups.com. >> For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. > > -- > You received this message because you are subscribed to the Google Groups > "Pro Tools Accessibility" group. > To unsubscribe from this group and stop receiving emails from it, send an > email to ptaccess+unsubscr...@googlegroups.com. > For more options, visit https://groups.google.com/d/optout. -- You received this message because you are subscribed to the Google Groups "Pro Tools Accessibility" group. To unsubscribe from this group and stop receiving emails from it, send an email to ptaccess+unsubscr...@googlegroups.com. For more options, visit https://groups.google.com/d/optout.