The reason for 8- versus 16-bit is once again to do with steps. In
8-bit audio, there are only 255 steps from 0 to full volume, whereas
in 16-bit, there are 32,767 steps, so the audio sounds much less
grainy. 

On Sat, 7 May 2011 01:38:01 -0400, you wrote:

>This is getting way off topic, but since it started that way I guess it's 
>okay.
>Since we can hear frequencies from 20-20KHZ, we want a sampling rate that 
>can reproduce all those frequencies. A sampling rate can reproduce all 
>frequencies up to half of it. So, a sampling rate of 8KHZ, which is what 
>telephones use,  can only reproduce frequencies up to 4K.
>So, since we want to reproduce all frequencies up to 20K, a rate of 40K at 
>least is required. But, we need to make some room for filters to filter 
>excess frequencies out. If we get over the halfway point of our sampling 
>rate, the higher frequencies get pushed down to lower ones, since the 
>sampling rate isn't high enough to represent them. So, we use a 44.1K 
>sampling rate to give filters some room to filter out those excess 
>frequencies above 20K. I don't know where they came up with that exact rate 
>though.
>And for bits, it's sort of like midi ranges. 16 bits is going to allow more 
>precise control of volume than 8 will, and give a cleaner sound. Just like 
>128 note velocities will give you more control and smoothness than 32 or 
>something.
>
>----- Original Message ----- 
>From: "Alfredo The Writer of music scores" <[email protected]>
>To: "QWS list" <[email protected]>
>Sent: Saturday, May 07, 2011 12:49 AM
>Subject: Re: QWS List off topic, audio recording
>
>
>> Um, let me ask more about bit and Hertz. How does changing KHZ affect the 
>> frequency of sound. I mean, if you are at 44000 Hz, you canto hear 
>> anything than if you were in 8000 Hz which spuds like a phone or 
>> something.
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