Well, for me, I use this in harp and piano, since this appears a lot in
orchestration.
On 8/13/2012 8:15 AM, Andre Bald wrote:
I guess that this happens because when you play a real guitar and want
to strum the strings you need to run your finger at them one by one in
a rapid succession. At least when I try to simulate the guitar sound
on the keyboard, I press first the lower note of the chord, then a few
miliseconds later the next one, and so on until I get to the highest
note. I think that in real life the start value of the first notes do
stay a little before the next ones... But guitar players could explain
this better...
----- Original Message ----- From: "Alfredo The Writer of music
scores" <[email protected]>
To: "QWS list" <[email protected]>
Sent: Sunday, August 12, 2012 2:14 PM
Subject: Re: QWS List Continuous or extended arpeggios
Hello list,
I do not know how many of you know about this, but I am going to
mention this because I just learned about it, and thought i might
pass this on. This might be useful if you are orchestrating a piece
and the piece calls for such a notation for piano or harp. Well, I
was inputting the notes into the computer using Braille Music Editor,
but the notes for the harp were not strummed Instead, they were
hammered. So what I did, was I experimented around and eventually I
figured out that if you change the start value by a few decimals, you
can make it sound like a strum in a certain arpeggio and have that
note held. This might be useful in guitars, though I think those are
automatically strummed depending on what kind of a synthesizer you
are using.
Anyhow I thought i might pass this along.
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